Rebirth: Japanese investor

   Chapter 334 Outsiders

  The continuous influx of people from small places into big cities is not necessarily beneficial to the former. The increase in the number of people will inevitably bring about the crowding of urban space.

   To this end, it will further push up housing prices, especially rent prices. Rising rents will have a ripple effect, likely causing prices to rise.

   Wages don’t increase much, which will inevitably lead them to increase their expenses, and their real life will be deteriorating. Those who are frugal first squeeze out the rent money.

   The ancestors in the big cities felt that the influx of foreigners took away their jobs. Furthermore, the first priority of outsiders is to survive, so in order to get a job, they will take the initiative to reduce their hourly wages, which further erodes the interests of the ancestors.

   The contradictions and conflicts between the outsiders and the ancestors also created a situation that could not be resolved at all. After living in a big city for several years, outsiders are often overwhelmed even if they want to go back to their hometown.

   It’s a lot of pressure to stay in a big city. After all, the cost of living is too high, and one rent may occupy half of one’s monthly income, or even more.

  The place you live in will become more and more deviated due to the decrease of work income or the increase of rent, the smaller and the worse the living.

   Buying a house? Can't afford it at all. Even a down payment is difficult to save. Even with a down payment, a monthly mortgage is required.

   This period of time can be as long as thirty-five years. The house I bought was just an ordinary house of 2, 30, 3, 50 square meters.

   In addition, during the period, you can't get sick, let alone get seriously ill. Unemployment or something is undoubtedly a bolt from the blue, and it can directly push people towards a dead end. Everything has to be relatively smooth.

  Kishimoto Masayoshi thinks of this, and he thinks of the most classic line in "Breaking Bad".

  Worrying about this, fearing that, the person who lived for fifty years was suddenly diagnosed with cancer one day, but he was relieved. Not insomnia, sleep every day until dawn.

   This shows how stressful life is for ordinary people and how difficult life is. This is the sad part of being an ordinary person!

   "I remember you are from Tokyo! You were born in Kita Ward, Tokyo, Japan." Masayoshi Kishimoto suddenly remembered something.

   "You are so clear to me." Fukada Kyoko said with a smile.

   "I read it in a magazine by accident." Masayoshi Kishimoto couldn't say anything about his previous life.

   "What is Kita Ward in Tokyo? It is sandwiched between Itabashi Ward and Adachi Ward, and is adjacent to Arakawa Ward."

   Even if she was born in Kita Ward, Tokyo, it does not mean that she is a local. After all, these marginalized areas are generally populated by foreigners.

   "You also said that you missed two wards that border the Kita Ward. One is Toshima Ward and the other is Bunkyo Ward. You were also born in the twenty-three wards of Tokyo.

   If you have to say that it is a foreign population, I am. I was born in Kochi Prefecture, Shikoku, a typical rural place. ' Kishimoto added with a smile.

   "If you are rich, you won't care where you are." Kyoko Fukada didn't mean to compliment, but just stated an objective fact.

   "You're a female star, so you don't care where you came from." Kishimoto Masayoshi learned her sentence pattern and said it like a gourd.

"You're wrong. The Japanese entertainment industry is still very particular about your background. No matter how you pack and dress fashionably, some people will still think that you are a rustic bun if you look at your background." Fukada Kyoko's right hand The index finger swayed left and right towards him.

   "No way! What era is it, and you still pay attention to bloodline?" Kishimoto Masayoshi blurted out his debut.

   "It's so strange that you said that. Even today's Japan is still deeply influenced by bloodline theory. Some people in the entertainment industry not only have artists among their parents, but also among their grandparents.

   This can be said to be a family tradition. The director will also take this aspect into account when employing people. A play is not only as simple as a play, but also involves many interests and personal connections.

  According to our jargon, before any movie starts shooting, there will be a coding process. "Fukada Kyoko has something to say.

Although it wasn't the first time I heard    Kishimoto Masayoshi, it was strange to say it through her mouth. Under the Hard Gold Group, there is Hard Gold Media, a company involved in entertainment-related businesses.

   For the characters in a play, the director is not just using people casually. First of all, it depends on which company the director is.

   Secondly, what obvious benefits will the star he used bring to the crew or the entire play. Behind the popular star is a large number of fans and followers.

   Even if the popular star himself plays badly, there will still be people who say yes and rush to pay. As long as investors and investment companies make money, everything is easy to say.

  Art or something, they don’t care about it, they care about whether they can make money. This is called the fan economy. No company or drama will ignore it.

   Again, although the old drama bones are not very famous, they can guarantee the quality of a drama from the side. If the filming is really bad, even the director will feel that his face is dull, and it will also affect his later career future.

  Any director is reluctant to have such a name. When people mention a bad film, they will directly think of his name. If it still loses money, even a huge loss, it is extremely likely to ruin a director's career.

   After all, this is when even a big director like Akira Kurosawa made a bad movie that was not recognized by the market, and he would still not be able to invest in a new movie.

   In the end, there is fierce competition in the entertainment industry, all kinds of open and secret fights, all kinds of pits... Everyone wants to fight, everyone wants to be star-studded, and everyone wants to be enduring.

   "I'm so stupid. How can I tell you this. You are one of my bosses." Fukada Kyoko remembered that Masayoshi Kishimoto still holds 10% of HORIPRO's outstanding shares. Not only that, but Hard Gold Media, a subsidiary of his Hard Gold Group, also owns absolute holdings of TV Tokyo.

   "I just want to hear from someone in your circle about what's going on in your entertainment circle." Masayoshi Kishimoto said with great interest.

   "Don't talk about it. We made an appointment to play online games together, so why did we sit and chat?" Kyoko Fukada didn't want to say in front of him that the entertainment industry was glamorous on the surface, but in fact it was a mess.

   If she really did that, wouldn't it negatively affect her good impression in his mind? Even if you don't participate in it, you can't guarantee that the other party won't think too much about that aspect.

   (end of this chapter)