Disaster Artist

In the first half of this year, "tourists" landed at the Weihai Film Festival. He Shaoguang, a senior film critic of "Film Manual" once said:

"Master Weather".

Thanks to the affirmation of this comment, Lu potential has won a lot of new attention in the industry, and the entire expectations and positioning have changed.

Grandmaster? Such a young master? And only a handful of works have been filmed and produced? sure? Is it really that good?

However, questioning is questioning, "Tourist" still achieved excellent results, from box office to praise, everything is like this, so what about this "Love"?

"...a very bold and very interesting attempt, especially after 'The Tourist'."

"It can be seen that Lu Qian clearly knows what he is doing. It is not confusion or confusion, but a progress towards his artistic creation goal."

He Shaoguang, without a doubt, once again wrote a commentary with 3,000 words, which made no secret of his expectations and concerns for Lu Qian.

"Of course, we can discuss the theme of the 'series of films', which is undoubtedly a very ambitious creation."

"It also focuses on marriage, but cuts into the theme with two completely different stories. It can be regarded as an expansion and an extension."

"'Tourist', Lu Qian is trying to explore, is there a problem in marriage, and is this problem closely related to the social structure?"

"'Love', Lu Qian tried to discuss, the problem of marriage itself, the mode of getting along in the form of a contract, released each other's shortcomings and darkness, lies and deceit, control and confrontation, and eventually evolved into a plan between two people fight with."

"In a way, it's an in-depth exploration of the theme, a deeper exploration of marriage, but 'Love' focuses more on two angular characters, the camera is completely focused on their collision, invisible There is a limit to the rise of the subject, but is this really a step backwards?"

"not necessarily."

What other film critics can see, He Shaoguang is no exception, but his point of view is slightly different.

"Instead of the theme of the movie, I would like to discuss and look at the movie itself: how did Lu Qian present two characters who lost themselves in marriage and saved themselves?"

He Shaoguang specifically discussed Lu Qian's film language in depth:

Composition, camera movement, lighting, sound effects, soundtracks, and more.

According to He Shaoguang,

"Every frame hides the understanding of the characters' understanding of the story and the theme of the story, constructing a huge and powerful vortex force, drawing the audience into it, and finally bringing an unparalleled viewing experience."

"As a director, can't Lu Qian see that the dramatic conflict in the script has robbed the core of the theme?"

"No, of course Lu Qian saw it."

"The final film is a choice. Because Lu Qian chose to use such audio-visual language to build a cage of marriage, trapping us in it."

"The lens condensed on the two characters is a magnifying glass, or even a microscope, showing the self distorted by the **** of marriage. It is not only a search for curiosity, but also an experiment and a breakthrough. The plasma is flying in the sky, in essence. , is blowout popcorn."

"This is an improvement. It is an improvement on the basis of 'tourists'. Obviously, Lu Qian has a clear understanding of the creative goals of his directorial career."

"One step at a time, Lu Qian is indeed on the road to becoming a master."

It is an analysis, an affirmation, a defense and, at the same time, a compliment.

He Shaoguang still continues his consistent style, cuts into the works from different perspectives, and finds the position of the works in the horizontal and vertical comparisons.

So, what about ratings and summaries?

"Witty, clever, humorous, banter, sarcastic."

"Lu Qian has once again accomplished an unparalleled directorial job, bringing together a series of seemingly unrelated materials to create an unparalleled popcorn meal."

"During this one hundred and forty-nine minutes, the audience went through a roller coaster at the physical level, and then recalled it carefully, and could feel the ups and downs of the spiritual level. The young director is steadily moving towards Master step forward."

One hundred.

Once, it may be accidental; twice, it is inevitable.

He Shaoguang affirmed again, and a similar comment appeared for the second time, proving his love and pursuit of Lu Qian, which also established the position of this famous film critic.

From here, we can expect He Shaoguang to pay more attention to Lu Qian's works in the future. Obviously, he will be very happy to witness Lu Qian's growth and accompany a master director to create more brilliance.

As for whether it will be successful, only time will tell.

He Shaoguang's influence is unquestionable. As one of the most authoritative and famous film critics in the industry, he can be called a public opinion leader. Each of his comments may attract a lot of attention, and may even lead to discussions and even debates.

This time, that's it.

"Master? Is this serious?"

Truman, a senior film critic of "Variety" magazine, stood up and formally questioned He Shaoguang with a very topical and eye-catching title.

From "unfriending" to "raid", to "tourist" and "lover", aside from Lu Qian's qualifications and youth for the time being, simply discussing the work itself, the four works can see the creative trajectory of Lu Qian's career .

Thriller/suspense is obviously Lu Qian's best subject. So far, the four works are slightly different in type, but they are all thriller/suspense in essence.

First of all, we must affirm Lu Qian's talent in audio-visual language, whether it is immersion or substitution, it can bring an unparalleled viewing experience, which is beyond doubt.

However, "audio-visual presentation" is just a trick.

What can really be called a master?

Build a sense of hierarchy with images.

On the first floor, images and stories resonate with characters, and can even show the color and texture of emotions.

On the first floor, images can break the physical blockade at the spiritual level, allowing the audience to feel the emotional power of the characters, and even extend it further, to feel poetry, philosophy, imagery, and so on.

The images on the first floor ~www.readwn.com~ can show strength, sometimes like a gurgling spring, sometimes like a turbulent wave, showing the power from the physical level to the spiritual level through the big screen.

Harsh?

Of course, this is really, really harsh.

But the point is that not just any director can be called a "master".

Truman put forward a clear and clear point of view in the article, "In the long history of history, there are many directors who can be called masters, but not many, each of them is a hall-level figure who uses film as a medium to show art. the power of."

"And Lu Qian? Obviously not in this ranks."

If the article is written to this point, then Truman's point of view should be able to win a lot of resonance.

For the melon eaters, they don't understand the profession or art, but they know that Lu Qian's foundation is still too shallow, and he is still a long way from being a master anyway.

But the point is that Truman launched a violent attack at the end of the article, even belittling.