Disaster Artist

The genius remembers the address of this site in a second: []https://The fastest update! No ads!

The simple and light brushwork can feel He Shaoguang's admiration and praise everywhere, showing a completely different perspective, cutting into "Deadpool".

Moreover, he boldly used the "League of Knights" as a coordinate to raise "Deadpool" to a whole new level. I have to say that He Shaoguang is really bold—

"League of Knights", fanatical movie fans spread all over the world, and even rushed out of the universe. They not only love movies, but are also crazy about movies. They have completely broken the boundary between movies and reality, and treat actors and characters as one person. , and finally evolved into a group of brainless fans.

They don't allow anyone not to like the "League of Knights", don't allow anyone not to like those actors and characters, and don't allow anyone to make any accusations.

In their eyes, the "League of Knights" is unsurpassable, irreplaceable, even unchallengeable, and unapproachable. , These movie fans even cursed the company.

But the problem is that "League of Knights" is indeed a benchmark for superhero movies. Any movie of the same type will inevitably use "League of Knights" as the yardstick to measure its position. The "League of Cavaliers" is impossible. However, if you mention it a little bit, this group of fanatical movie fans will label them as "following the heat and traffic" and do everything possible to belittle their opponents and maintain the status of the "League of Cavaliers".

On the one hand, they are proud of the historical status of the "League of Knights" and have become the benchmark for all works, constantly emphasizing that those works are not comparable.

On the other hand, they also refused to allow the "League of Knights" to become anyone's stepping stone. Other works are **** and waste, and should not be touched.

So, when the same type of superhero movies are released, should/can the "League of Knights" be mentioned?

It's a paradox, I'm afraid.

Now, He Shaoguang mentioned—

Not only is it mentioned, but it can be seen from the text that "Deadpool" is still above the "League of Knights", which is equivalent to directly stabbing a hornet's nest.

Giant hornet's nest.

After the film review came out, it caused an uproar and sparked a frenzy of discussions on social networks.

buzz buzz.

Buzz buzz!

Fanatical fans of the "League of Cavaliers" collectively fried the pot, ridiculed, chased and intercepted, and launched a full-scale attack, quickly sweeping the entire network.

Later, some media also interviewed He Shaoguang and asked about the meaning of those specific sentences in the article. Regarding this, He Shaoguang said,

If Lu Qian is only satisfied with this, then "Deadpool" is at most an 80-point movie. There is no doubt that it is excellent, and it is definitely an excellent popcorn movie; but He Shaoguang may be very disappointed with Lu Qian, because Lazy and tricky, he used a trick to shoot an identical superhero movie, which is no different from those movies of the same type currently on the market.

In other words, changing the soup does not change the medicine.

In He Shaoguang's view, Lu Qian should be more than that.

Judging from this response, He Shaoguang didn't mean to give a **** about it at all, but started to analyze this work purely from a professional point of view.

In fact—

He Shaoguang's final score for "Deadpool" was not eighty points, but...

100 points.

"The most surprising part of 'Deadpool' is actually an exploration and an expression of film language.

The text is not important. This is also an important language for Lu Qian to control the entire script, characters, and stories within the effective range as much as possible, because he needs the text to be light, and then uses the film language to inject soul and energy into the text. To prove a point:

A superhero movie does not necessarily have to be a theme park, it can also be a movie, a movie that shines brilliantly on the big screen.

First of all, the whole movie has been breaking the fourth wall, breaking the fourth wall persistently, and at the end of the third act revealed Lu Qian's goal—

He tried to tell all audiences that the charm and touch of movies always come from the audience's emotional memory. The movies we like are often not classics with high artistic achievements or masterpieces with high commercial box office, but works that awaken our resonance and accompany our lives.

What is lost in today's superhero movies is not only the humanity of the superheroes, but also the existence of the audience as part of the movie world.

Second, audiovisual language.

The lens scheduling, screen composition, sound effects, editing rhythm, etc. of the whole movie are unparalleled, which not only makes the audience feel immersive; The charm of the big screen is brought into full play.

Lu Qian used such a movie to prove that movies should still belong to the big screen.

Finally, narrative language.

Although the movie didn't spend a lot of pen and ink describing the love between Wade and Sasha, Lu Qian used the lens language to perfectly show the delicate and complex emotions.

People often have a misunderstanding of commercial movies, that is, there is no urine point in the whole process, which means that the rhythm of the movie must be tight and compact, and try to avoid emotional scenes from dragging down the narrative of the whole movie, so that in script creation and character creation Sometimes even avoid these keys.

However, Lu Qian used a movie to prove that even without the support of the length of the script, even without the need for dialogue, emotional expression can be completed only through the narrative of the camera, and the smooth evolution of the picture becomes a kind of enjoyment. The root cause of mesmerism.

In other words, when everyone says that movies are dead, superhero movies are turning movies into theme parks, and pure movies no longer exist; but Gawain just uses a superhero movie to prove that movies still have powerful Vitality, cinema is never dead.

This is the greatest rebellion. "

He Shaoguang was indeed different.

When other film critics tried to prove that "Deadpool" is an excellent work from the movie itself~www.novelmt.com~He Shaoguang jumped away from the text of the movie itself, standing on a higher level, with Lu Qian's director Using skill as an entry point directly raised the level of "Deadpool" by more than a star and a half.

From He Shaoguang's point of view, in fact, whether those praises or criticisms, good or bad reviews, none of them were on point.

Because "Deadpool" is not a work that judges the pros and cons by text. Text has never been the foundation of Lu Qian's narrative, but film language is. The weak story lacks room for deeper interpretation; but when you look at the movie after breaking away from the text, you can deeply feel the greatness of the movie.

It is precisely because of this that He Shaoguang firmly believes that "Deadpool" is an anomaly in superhero movies, and it is also a milestone:

This movie tries to get rid of the shackles of the text, and uses the art of light and shadow to inject a hearty and mesmerizing viewing experience into the movie. It not only proves that superhero movies can be successful without operating as a theme park, but also proves that there are still genre movies. Different ways to open.

(end of this chapter)