Disaster Artist

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Praise! Praise! All are compliments!

Praise! Praise! All are good reviews!

And all of them appeared one after another with full marks, swept away the decline, showed an unstoppable momentum, and returned to the familiar daily life—

This is always the case every time a Lu Qian movie is released.

Time after time, time and time again, people have long been used to it, and have even begun to get tired of it, but what is interesting is that when the negative reviews and neutral reviews swiped the screen, people were a little flustered, until the positive reviews regained their attention. Find your composure and return to your daily routine.

Some people can't laugh or cry, but maybe, this is what a habit is, even if you don't like it or even hate it, but the habit still cannot be easily changed.

People have long been accustomed to Lu Qian's invincible halo. They thought that they might gloat and celebrate Lu Qian's misfortune when they saw Lu Qian's Waterloo, but when it really happened, every pore on their bodies felt uncomfortable and uncomfortable. It's not what I'm used to seeing.

"The undefeated Lu Qian", this is much more pleasing to the eye.

As clichéd as it is tiresome, as frequent as it is mind-numbingly frequent, it has to be admitted that this is a familiar sight.

But…

why? Why do some media hate it and others worship it? Why are different professional and authoritative media polarized?

Or to be more precise, what is going on with the movie "Deadpool"?

In fact, there is no contradiction—

A careful reading of these film reviews reveals that some people dislike the film for being too simple, while others think that the film is wise and foolish.

In other words, the movie is indeed "simple", but this simplicity is precisely the effect of Lu Qian's pursuit. He is not prepared to make "Deadpool" another "Dark Knight", digging out human nature with dark and profound themes Discussing philosophy and keeping the lighthearted tone of the film is his top priority.

As "indie film" says, the two films are very different, but they both manage to be extreme in their own dimension.

Of course, as a director, Lu Qian still has his own expression. Even if the story is simple, the language of the camera can still fill his point of view.

Therefore, the point is here. Some film critics are not satisfied with this, they hope that Lu Qian can go further; but some film critics are satisfied.

Like and dislike, in essence, are two sides of a strong emotion, as much as you like, you hate as much, as much as you hate, you care as much, and the two extreme emotions express the same attention and expectation.

In this regard, He Shaoguang analyzed it in a relatively calm and objective manner, and this film review published on the "Movie Handbook" once again attracted countless attention.

At any time, He Shaoguang's comments can be used as a yardstick. No matter whether people agree with it or not, they cannot deny that they are curious about He Shaoguang's opinion.

So, what about this time?

"For Lu Qian, people have expectations. This is a good thing, but it is also a bad thing at the same time, because expectations often mean a fixed impression. Once this framework is broken, expectations will also evolve into disappointments, followed by strong emotions will tilt in a negative direction—

Note that whether it is lower than expected or higher than expected, as long as the frame is broken, such a situation will appear.

But this time, Lu Qian broke people's framework with a dedicated and professional attitude.

Obviously, as a bystander, we underestimated and misunderstood Lu Qian. "Deadpool" is a superhero movie, but it is not just a superhero movie. It can be regarded as Lu Qian's genre film field Further exploration in -

Restricted level is not the ultimate goal, it is just a platform.

So, the crux of the problem is, what is Lu potential to explore? "

Very, very rare, He Shaoguang did not directly cut into the film, but started from Lu Qian, slowly unfolded, and the film review was like a biography.

"When superhero movies are becoming more and more prosperous and more and more diverse, people have already developed aesthetic fatigue for genre movies. At this time, the entire film industry is facing the same dilemma:

What story should a superhero movie tell? Save the family, save the city, save the world, save the planet, not so long ago we have started saving the universe, the narrative is getting bigger and bigger, but the repetition is getting more and more, the story is getting more and more empty, the characters are getting more and more flat.

】

That said, it's all the same popcorn, and we've grown tired of the same recipe and the same taste, so how are superheroes supposed to continue?

Lu Qian gave an answer. "

Objectively speaking, the most important reason why He Shaoguang has such an authoritative position in the industry is not because of his professionalism, but because of his easy-to-understand.

He Shaoguang's film reviews often have two characteristics:

First, he is keen to use different works as coordinates to determine the position of a movie in the quadrant of positive and negative reviews. For example, a movie may be a 60-point work compared to "The Dark Knight 2", But compared to "Dawn of Justice", it can be regarded as an 80-point work.

In other words, whether it is excellent or not, it should be evaluated in the dimension of works of the same type, style, and market positioning, which coincides with the point of view of "independent films".

Second, his choice of words and sentences are often simple and approachable, and he seldom throws out professional vocabulary, such as new wave, realism, anti-hero, etc.; Start with the details and enter the world of movies.

For the general public, such an interpretation is close and in-depth. They can understand it and learn things at the same time.

To put it simply, film criticism is also a kind of creation. Just like art, "high-quality music" does not necessarily make it a master.

But it is undeniable that as a film critic, He Shaoguang's professionalism and aesthetics are the basis for everything, and only then can the expression of opinions be realized.

The same is true for "Deadpool", He Shaoguang continued to write.

"... Lu Qian, gave an answer—

Save yourself~www.novelmt.com~The core of Deadpool's story is not only to save love, but more importantly, to save yourself and bravely face your own flaws and weaknesses.

When other superhero movies are moving towards grandeur and vastness uncontrollably, gradually losing the essence of human nature; Lu Qian bravely goes the other way, and the narrative becomes refined and simple, using a simple story to prove a simple fact, Superheroes are human too.

but!

If it's just that, the excellence of the movie is also limited, because in the final analysis, Lu Qian didn't break the narrative context of superhero movies, he just played a little trick and presented it in different ways under the same routine, but the essence is still The superhero set—

Don't forget, before the "League of Knights", a series of superhero movies from Magic Pictures entered the public eye in this way. Focusing on individual superheroes is not a new proposition. What Lu Qian did was just a fancy magic trick. Deceive and confuse the public.

Fortunately, Lu Qian didn't stop there. "