This Plug-in is Too Middle School

Covering your face, many people said that yesterday's fourth update was really ineffective.

But allow me to "quibble" first, if it's too long to read, just skip to the last part of admitting mistakes.

In fact, what I spent the most time on was Chapter 4, which can be seen from the number of words. Even the version after a lot of deletions has the largest number of words in the four updates. It is guaranteed that it is not purely "completed the task" or "perfunctory."

One of the original ideas was to avoid large sections of "power" descriptions, or to drag out the battle between William and the Saintess for too long, so part of the battle descriptions were moved to Melanie's side view.

In order to avoid the sense of repetition too strong, when writing this paragraph, it is really repeated comparisons, and even non-essential adjectives are tried to be replaced.

The other is to introduce sand sculpture behavior and dilute the atmosphere of life and death.

The tone of this book is rarely dead, but the swords face each other in the first second, and the next second gently let go, you kill me, I don't want to kill you, it is inevitable that there is a bit of the smell of the Virgin, I have been sprayed a lot because of the handling of this problem. times.

The character design of the helpless protagonist is not the type of decisive killing from the beginning, but in the battle of opposite positions, it is impossible for both sides to have no killing intent.

And when the fight is hot, I suddenly emphasize psychological activities. In fact, I want to save the opponent's life. One of them will inevitably violate the peace, and it is not very suitable for the character design. The hint of , the urgency of reading is greatly reduced...

And the way I thought of is to change the atmosphere and then finish, so there will be a large part of Melanie's sand sculpture review.

In addition, there is also to make up for Melanie's mental activities and behavior during the "dropping" period, to prevent her from suddenly appearing to "make up the knife" too abruptly,

And write a little bit about her views on the two people who "turned a fart", etc., to pave the way for the behavior of "making up the knife", etc. In short, this part is really not a perfunctory thing, on the contrary, it is quite difficult to write. of.

The quibble is over, it's time for me to admit my mistake.

After all, one or two people have opinions, and it is very likely that they have different tastes, but if many people feel uncomfortable, then there must be something wrong with the author's handling.

The first is that the length of the battle review is indeed too long. Even if the perspective is changed and the perspective is changed, it is still repeating the known things. The feeling of "pure water" is actually inevitable.

The second is the ratio of psychological activities and behaviors. Psychological activities account for too much, resulting in a lot of space for specific behaviors, and the combat part is compressed.

Then there is the problem of plot promotion. The ideas of the characters in the fourth chapter account for the vast majority, and the plot is too small to move forward, etc., and so on.

This... In the end, I still have to protect myself again, because when I write a book, I have everything in my mind in advance, and I even know a lot of "the world that only the author knows", which is limited by the length of the book, the power of writing, and the level of storytelling. , only a part of it can be written, and the information grasped is very different, so the angle of view and the reading of the book must be very different.

Many times when I write, I feel that the words and layouts are "extremely familiar and smooth" and "incomparably smooth". When I forget some of the plots and dig up my own chapters a little, I will be confused and force me to write. , The perception is so bad, why can't I read it in the first place?

Having said so much, in fact, there are so many little broken defenses (the thick skinned ~ www.wuxiaspot.com~ really is a bit lost), I got up and wanted to rewrite the fourth chapter.

I have been sitting on the question for more than an hour, and I still feel that it is not easy to move after two editions. (Don’t worry, it’s not that you know your mistakes and don’t change them. I promise not to write like this in the future) It’s not that this chapter is so good, but that many things are connected before and after, and I’m behind The idea of ​​the book and the three-page chapter outline have to be moved, so in the end, only this article was written...

emmm said a lot of nonsense, in fact, there is only one core idea.

Trouble 8 If you want to talk about me perfunctorily, please call me a dish!

Although his ability is limited, his attitude is really no problem. He has written 1.2 million words so far, and the only time he deliberately "water" is at the end of chapter 291...

Because I feel that the last sentence is more compelling in the last sentence at the end of the chapter, I deliberately left out two paragraphs before, and the other is really gone...

Finally, repeat the central idea of ​​the full text (you can ignore the previous ones)

Zinzhendi is not a water ratio, but a standard dish ratio. When you complain about me, please be a little more accurate...ball ball!