In fact, I don't give a shit about learning immortals early or late.

Because there is no life expectancy. Of course, there is no such thing as a life that will not die tomorrow, but when I say it, if it is a life that will die tomorrow, it will be a life until then.

It is our Immortals who can only think of the world as giving up and not trying to rebel. Even if you are offended or dissatisfied, you do not try to resist intensely. Because that means cutting off from the dead.

So I don't make that one goal at a time about which stage I entered in a hundred years or which frontier I reached in two hundred years, and I can say that I'm immature at the time I think about it that way.

"Ha! You don't have to, Lord Doowe. From me, the warrior's end, it was all convincing."

"Yes, ma'am. I don't know if I would say this, but Master Thoon has already reached a certain level. I don't need to teach boulders for hundreds of years more than I teach fairy arts."

A prince of a country has been taught exactly by a leading leader on the road to be regarded as the best in the country.

So there's no way there's a weird habit, or part of it that needs to be corrected with the arm of a sword.

He is superior as a shadow-down user and superior as a swordsman. So both I and my master favored Thoon.

Of course, I think it was another favor for the new owner of Eckezacs, who tried to slash the rock with an iron sword.

"The reason I was reluctant to teach Master Thoon is actually a great one. When I teach Thoon the sword, I teach him the final stage of swordsmanship in our genre, the greater part due to his perception as a Immortal."

I don't know if I can say it myself, or if my master thinks of our swordsmanship as an extension of immortality... it's very difficult to teach anything but immortality around it.

Of course, it's not okay to leave the previous stage aside.

"Well, once we get back to the mansion, shall we explain the area?"

Thoon very much expects it, but it's not that easy or groundbreaking.

Maybe he's just doing what he's doing, at a very high level.

Lady's mansion near the school, garden just in front of it. I was trying to teach both Bathrub and Sopede the final stages of my school.

"Um, sir, you're hiding. Neither do you two, but why even the cavalry?"

"Assuming you are the strongest swordsman in this country, you will provide guidance to the most powerful swordsman in the exotic world. Sometimes it's bad for us sopeds, your Lord, to watch the game."

"It is instruction between those who stand to the extreme as samurai. We're interested, too."

Uhm, something was going on.

Your brother and father, the two cavalry cavalry leaders, were also about to see my guidance after some disarming.

"I don't mind..."

"So, am I supposed to be the guy?

"Yeah, please"

Now, I would be very grateful to have a festival that is almost amateur when I give this kind of explanation.

Anyway, I have to tell the lady, not just Toon.

If you can't explain it to your amateur as well, at least the lady won't understand.

"So first, do you teach about 'between', 'between', distance..."

Say so and give me the 'spear' of a training tree. Of course, the tip of that tree is twisted with a cloth, so that it won't die if it hits it.

"Feast me. Take this spear and follow me."

"Oh... you know what?

"Yeah, that's pretty much all right"

Totally amateur when it comes to spears, but because I was practicing my sword, or to some extent it was in shape.

Of course, I feel like I'm going to poke like that while stepping in like that.

Physical ability is quite strong, I guess, but skill is just amateur.

"It's easy to understand when you do a spear-pushing motion. Well, I'm having you make a move with a poke. I think it's easy to understand when you do this… basically, this is the limit to the 'intermission' of a festival with this spear"

Touch the tip of the protruding spear gently with your fingers. And stand right in front of that spear.

"Naturally, no matter how many times he repeats the way he pokes now, he can't let me get the spear to stand here right now. Of course, we are amateurs at this festival, so we may brace ourselves somewhat, but this is still the limit when it comes to delivering properly and powerfully."

After you convince me of that, I'll have it rebuilt this time.

In other words, it should be called a middle stage structure, a neutral structure. I bend my elbows gently and poke them anytime, anywhere.

"Now, suppose I stood on the inside of that spear I'm putting up. Of course, you can fight back in some ways even from this moment on, but when you do, you have to take a step or two back. I mean, you're in the middle of something."

In this state, the long stuff is weak. That's why spear soldiers try to restrain them from getting close, or poke them to death before they do.

"So between the spears, it goes from a little inside where the spears I was standing just now to a little further behind the spear tip I'm standing on."

"Well, that's true."

"And it's basically more overwhelmingly advantageous to be able to attack from afar. Most weapons are stronger than bare hands because they can attack from afar, with even more killing power."

That's normal, the lady seemed slightly bored. That was the same with Happiness and Tsugar.

It is too obvious for me to realize the difficulty inside.

"It's somewhat easy to understand that we're going inside the time. Anyway, if you have a weapon, you can put it inside that weapon. But it's hard to see out of time. For example, this is how I walked outside of the time, and from there I twisted again... and I thought I was in time to attack."

"Oh, oh..."

They know the purpose, and they don't use fortune telling.

I walk away once I'm gone. Then, now or now, he's rocking his spear at a loss.

What an easy to understand, that anxiety was manifesting in my face.

And he pokes, just slightly inside at my sight. I was dodging that.

"Ma'am. Objectively, how was it? Was his offense done since he got in time?

"Yeah, you got it right."

"But that's because I was objective. The opponent also has a spear, and if they are positioned in the middle section, they can also gauge the interval by how the spears overlap with each other, but when you walk bare like me, it's hard to read inside. Still, you can gauge an agreement by looking at the tip of your spear and the distance ahead from it, but conversely, you teach me an agreement as well. What's more, you just focus on the tip of the spear, and you can't see the whole thing."

Yeah, yeah, and the martial arts users are nodding.

If you're a bare-handed strike martial arts player, you're still fighting with each other's blades, and if you missee an intermission, you die as it is.

And it's a safe zone out of time, and it's always dead in between.

"In short, think where the attack arrives, that's 'in time' and 'in between'. Next, let's talk about 'machines' and 'opportunities'. Dear Feast, have you ever played baseball?

"Oh well..."

"Then let's do it. I'll pitch."

All of a sudden I was supposed to start playing ball, but still, Festival I wasn't in that much trouble.

That's right, it's easier to decide to play baseball than to be held a spear and poked at.

"Bats will be good with wooden knives. The ball is a stone falling there..."

"Yes, okay?

"Because you don't have to hit it so hard. You can just hit it."

It's been five hundred years since I've played baseball.

But aren't I the only person who hasn't played baseball in five hundred years?

If I told you that, I'd probably be the only one.

Anyway, I'll throw a fist-big stone at you pretty fast.

Of course, it's a throw after shaking it up as big as a regular baseball.

They also strengthen the reflex nerve, and the festival I was hitting it with a wooden knife.

I didn't use a bat and a ball for baseball, so I just hit and rolled.

Still, he could have guessed.

"Well done, I'll throw it a little late next time."

"Oh, oh..."

I don't know what I want to do, but a wooden knife makes me feel like a batter.

Towards him, I held the fist stone in my right hand and stood still in a forward protruding position.

I can feel all confusion about what you're doing.

And for a moment when my festival was loose, I was pushing the stone out with vigour.

It was released in no motion, which was still slower than normal throwing, but it was accidentally released, whereas the feast I could not strike with a wooden knife. It is completely empty.

"You couldn't hit it"

"Bi, I'm surprised...! What's that?

"It's a little play, it's not that big of a deal. Why couldn't you hit a stone later than just now?

"That's... because I threw it all of a sudden..."

That is half correct.

It is true that I did poke at his relaxation. But still, I would have been able to hit it if I'd thrown it normally.

"When I throw, it's because I didn't shake it, right?

"Oh, oh..."

"No matter how fast, if you have a long preliminary motion before the attack starts, you can handle it once and for all. But without any preliminary motion, it's easy to get punched in the void, and above all, I don't feel comfortable. I can't read" The Machine. "

When did the attack begin and when will the attack begin? If you don't enlighten your opponent about it, the offensive side is overwhelmingly advantageous.

Conversely, it is an opportunity to understand when an attack will begin, and it will be a fitting occasion.

"No matter how fast the attack itself was, it doesn't hit anything by informing the target in advance of the attack. Well, if they have the calm mind to judge calmly, that's the story."

If you lose with your mind, there's no desk, no room, no snag.

If you don't have the 'courage' to face a killer and still be able to cope without fleeing, you will be killed without being able to move, whether you are wearing armor or have a sword.

Wild or on the battlefield, that's the obvious story.

"Now let's demonstrate what it means to be extreme about it. Feast me, with that wooden knife, and try to attack me from the top."

"After shaking it up big, huh?

"That's right. However… very slowly, the cow seems to walk"

While slightly perplexed, from the distance between the pitcher and the batter, the Feast Me approaches the bare swordsman's time.

What do you care what his specialty was, when he slaughtered a rock with an iron sword?

You can put all your weight into a single knife. It's a special strike, but have the fly attack at a slow rate that stops.

"Yuku ~ Ri..."

"Yeah, yeah, like that"

Naturally, it is a sword of speed that even children can avoid, so the ladies will be able to avoid it.

On top of that, I was usually avoiding it. Naturally, no one is surprised.

"Now what do we know?

"Feast me, when did you realize that I had avoided the attack when it came off?

"Well, you'll see."

Yes, if we're moving slowly with each other, we'll know the moment we move. That's natural.

But when it comes to each other moving fast, it's very difficult.

"Then attack again slowly. I'm moving slowly, too, so guess what."

"Oh, wow."

Slow attack, repeated again. I dared to move slowly to avoid it, though, as the attack still swung down.

Naturally, Festival I'm watching that too, so I slowly went along with it, but I changed track while looking at me, and I moved the wooden knife to hit it... and I kept hitting it.

"Brilliant."

"... so what"

"Next, then, Mr. Eckezacks, could you come for a moment?

I took the wooden knife and now I speak to Eckezax. It's the strongest sword my master ever used. It is also possible to amplify the magical power, but naturally the cleavage is good.

I'll have that sword and try to do the same thing again. Of course, the terms are different.

"Dear Feast, behave yourself with Eckezax"

"Oh...... this is it?

"Yeah, fine. On top of that, can we suddenly re-orbit like we just did?

"Huh? Oh, I'll try"

Naturally, I can suddenly change the sword's orbit ninety degrees because it's bare.

But that bare gesture is not like slashing a rock like it did earlier.

How unnatural, and the person shaking it didn't seem to be the most convinced one right now.

"A sword is a heavy thing, all the more so if you're serious. Stopping in the middle of waving that heavy sword and re-orbiting it, it takes a hell of an arm. In addition, it reduces speed and power. You can't bend on the way because you're a full spirited wiggle"

"Right... right"

"That's why we do restraints and disfigurements before we do a full swing..."

That's exactly what shadow unloading is all about: The Dance of the True Shadow.

It's a trick to shower a knife all over your body, using your body as a fabric.

Exactly deep sense, in which the person's pure skill is required, while also the delicate manipulation of the split.

"On a normal battlefield, we hardly have time to do that. At the same time, you don't have to."

"Huh?"

"Basically, on the battlefield, any difference in degree is armed, including protective equipment. And because of the density of humans, it's almost impossible to avoid them lightly. So a weapon so heavy that the opponent can't prevent it, or the arm power to wield it, and the magic developed...... i.e., the Sukeshi Sword Method. The premise is that both sides are fully armed."

Arm strength is all, physique is all, armed is all, martial arts.

Of course, it's not wrong at all. Rather, it is a natural story from the rationale of survival of the fittest. First, it's not as easy as saying it with your mouth. Fight your enemies with such heavy equipment that you can't stand if you fall, that can't be easy. It's not easy or anything, including training.

"Nevertheless, the frontier our master aspired to is the bare skin sword method, not the Sukei sword method. A sword of protection, not a battlefield sword, assuming you are not wearing any protective equipment at all. Or a sword that weighs on skill."

I give a wooden knife to my hip. On top of that, he stood before me unprotectedly.

The more visible and obvious, it was between him and Eckezacks.

"Go ahead, give me a full sword."

"... okay?

"Yeah, that's okay."

Assuming you take it with a wooden knife, Eckezacks would cut it.

Festival Even if my sword was a normal iron sword, it is possible that I will not be able to take it by my arm.

No, even if it was an iron sword rather than a wooden stick, it's likely to die as it is.

"Well...... let's go!

A sword that slashes rocks backed by definitive training, albeit for a short time.

Full weight on, full blow. Even before that, my heart was cool.

Gently slap me in the face with your palm as you move forward diagonally to the right without using immortality.

The blow I unleashed with the intention of breaking me was wearing a skull.

"Brilliant, full-bodied machete that truly slashes rocks. He was in the right mood for Batlub's son-in-law, a famous Takemen family."

"... you don't like it."

"No, I'm glad to see your sword."

The boulders don't have the skill to me, Toon, or Blois.

Still, it was a good enough wave. It was a perfect, courageous blow for him to be able to consolidate himself with magic.

"Well, festive me. Have you noticed when you've been emptied?

"... well..."

"In the moment I didn't hit you earlier, you should have noticed the moment I moved. But now, shouldn't you have noticed until your sword went to the ground rinse?

"Yes, but..."

"This is the cut my master aspired to"

Explained as a sentence, it was a hell of a lame story.

It is ideal as a "bare sword method" in a way, but what the master aimed for was always to be able to do it normally.

"Hit the target before they realize they've taken off the attack while they start attacking and turn themselves away at a time when they can't change their trajectory. So this is what we're going to do in our school."

Suppose your opponent unleashed the magic of thunder. The thunder itself is not, naturally, something that humans can see through.

For the lightning receiving side, the moment the thunder shines, it is already hit. There's no way I can deal with that.

On the other hand, there's no way you can tell if the lightning struck the shooter or not at the moment it struck.

"Alternatively, the enemy will cut this one, and then take the 'ahead' to hit it by the time it actually moves. This is what I wanted to do."

"Ratchet..."

Someone in the cavalry was crushing me like that.

"If we're moving slowly with each other, as we did earlier, we won't be poked in the void no matter how they move. But because we're moving fast, we can attack before the target realizes what's going on here."

"You can't..."

Festival I was out of time. Of course, other faces are out of line.

Or, in my case, because of my ability to predict, I can see the difficulty in doing so.

If you've been 'thinking' about your enemies for a while, if you've been 'concentrating' on your behavior, there's no way you can do that.

My brain and body don't work the way I want them to. If everything cannot be done naturally, it is an impracticable frontier.

"A fully armed opponent tries to defend himself against this attack with a shield or weapon. So this one builds up his body, waves down a weapon so heavy that his opponent can't prevent it and knocks him down. Or consolidate yourself with heavy shields or armor so that you can prevent a blow from the enemy's body… it is tantamount to turning yourself into a hard stone and crushing the soft stone of your opponent"

That equals deduction.

If I have ten powers, I can easily defeat five enemies.

But for that matter, I wear myself out. No matter how strong you make yourself, it keeps crumbling.

More importantly, even someone who has only one, some twenty, can be killed.

That's not 'the strongest'. Even with the strongest arms and the strongest armaments, and by the time they are called the strongest, the frontiers that lead to them are too pitiful.

"The" strongest "our master aimed at is this one side attack frontier. Not attacking them with 'force' they can't prevent, not 'while' they can't reach them, not 'speed' they can't catch up with. Always have a 'machine' that the other person doesn't realize. If it can be achieved, even if we put tens of millions of enemies in front of us, we can win it cool without taking a scratch."

Eckezacks, who has become a girl, looks at me again.

You coached me, understand the reasoning of my master's 'sword'.

"There's no need for restraint or collapse. All machetes become special, no, they don't even have to be special. That's Swivok swordsmanship."

Making a bare gesture means understanding your flesh.

that you move your body to understand how a person's body moves relative to a person's will.

At that time, you understand where your center of gravity is and at what moment you can put your strength into it. A complete understanding of the changes in the center of gravity, posture, and muscles throughout the movement.

And it is fundamental and the foundation of the bedrock.

Whatever weapon the opponent had, or whether he was human or a beast, he could detect the movement from the opponent's body and breath.

It's because I've known myself for a long time that I can know the others I meet for the first time.

"My master took a thousand years, and I took five hundred years, to make this completely mine."

If you are lucky you will be able to do it, if you are well you will be able to do it, you will almost never fail, you will always be able to do it, you will naturally stain your body without having to be aware.

I'm gonna need that much time until it's possible.

"And the master looks further ahead. Nevertheless, that is Immortal Reason. With a sword as talented as Thoon, I think we can reach a certain stage in years if we gain a sense of purpose through experience."

"I don't know if I can..."

Ma'am, if I mention that, I don't have a kiri.

"I see... I see."

Abandoned by his master, Eckezax had heard it and understood the logic of art.

Or what I was saying now is that immortals can naturally do it as a sensation. In the case of my master or me, I'm just saying that I'm totally extreme about it.

In other words, the basics themselves should have been possible for the then masters as well.

"But that's why you are. You and Swibbock have decided to strike enemies by poking a void, but on the other hand, they are powerless against a man who can't be defeated by poking a void or touching or approaching him. I'm giving up on that."

"Yes, sir."

In the third time he fought Festival Me, his defense was beyond this one's attacking power.

I was able to roll it and take it away because I found it to be fortified by Eckezax, and because Eckezax was a 'sword', not an 'armor'.

You couldn't have won that way if you were purely making your magic extremely defensive, or if it was a torso, cage hand, or helmet that you couldn't easily take away.

Or in the first place, unlike magic, it's not very aggressive in itself.

"So... in your" strongest, "you can't even touch Disaster Armor Pandora."

The legendary armor that Disuir possesses.

If there was ever hostility with its owner, then it would be a festival fight for me, not me.

The mightiest divine sword said so with comfort of the depressing new Lord.

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