The Greatest Showman

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The "detachment" shooting has finally entered the right track. Strictly speaking, it can't be regarded as the right track. It can only be said that it has officially entered the shooting stage, because Tony's work style can be said to be erratic, and they still don't know what is "on track".

Sometimes, Tony is very strict, putting forward strict requirements on light, angles, shots and lines-especially lines. He does not like any form of free creation, and must strictly follow the lines of the script, even the same words in one word. Meaning substitution, which is also not allowed. For every play is critical, keep improving.

But sometimes, he is very rambunctious. Halfway through the shooting, he suddenly stops, then overturns all the shooting plans and starts over; he does not have any requirements on the actors' performance styles and methods, and he even gives the actors enough space, Let them perform interpretations in different ways, and then choose the most suitable one.

Everyone in the crew is trying to adapt to Tony's work style, and everyone is running in and moving forward, which leads to the fact that the shooting speed cannot be improved.

This kind of shooting experience is completely new to Renly, he has never met such a type of director, of course, his own shooting experience is very limited; but it is also exciting because Tony is constantly challenging his bottom line , his abilities and his understanding.

On the first day of filming the first scene, Renly finally shot it five times, not because of mistakes, but because the emotions during the performance were always fine-tuned, and he was always looking for the most suitable rhythm and pattern. To achieve the effect Tony desires. It's hard to imagine that a cutscene was actually shot four times, and it was still a scene without any lines, any conflicts, or any breaking points.

This way of shooting can be simply called: burning film.

But obviously, Tony doesn't care about wasting film at all. What he asks for is perfection, constant communication over and over again, and self-examination over and over again, not for the pursuit of perfection, nor to find the right, just to find most suitable.

For the producers, this may have been a disaster; for Renly, it was good news. Such a simple first scene, but Renly is constantly reworking, polishing the details of his performance bit by bit, and pushing him to the limit of his performance bit by bit.

As a director, Tony set up the stage, and then gave Renly unlimited freedom to let him play to the fullest, and he continued to ponder, put forward different requirements, and make different attempts, which really let Renly experience a The thrill of fancy performances shows all the eighteen martial arts and thirty-six changes that I have learned and seen.

This graduation exam has truly become a stage for Renly to play freely.

However, this way of filming caused the crew to be in an unstable state. Sometimes the shooting progress was smooth and smooth, and seven to eight sets of scenes could be shot in one day, but sometimes they stumbled and got blocked everywhere, and it might not be possible to shoot a set in three days. role.

When the cooperation intention was determined, Tony said that the shooting cycle of this work should be about a month. But now it seems that it is obviously an unreliable joke. It is not a question of whether the shooting cycle will be longer or shorter, but Tony himself does not know when he will be able to finish the shooting. The shooting rhythm, it is estimated that no one can say whether all the shooting can be finished within a month.

In the past few days, the crew has been on the hook. A bus scene was filmed for three days before and after, but there was still no progress. The work of the entire crew was stagnant. Everyone in the crew was in a state of grumpiness. The entire crew was like an unstable powder keg. Even they themselves don't know when it will explode.

The difficulty of shooting this scene was originally "on", which can almost be said to be the most difficult scene since the crew started. The content is Henry and Erica's first encounter.

That night, Henry fell into a state of insomnia and couldn't sleep, so he left the house, wandered outside for a while, and when he came home again, he received a call from the hospital, his Alzheimer's disease patient. Grandfather put himself in the bathroom again and refused to come out. The nurse at the hospital was helpless, so he called Henry and asked him to go to the hospital for treatment.

This isn't the first time this has happened.

Henry's mother committed suicide by taking medicine in the bathroom at home. Henry, who was only seven years old, was the first to discover his mother's body. Then Henry's grandfather also witnessed the death of his daughter. After that, his grandfather took the blame on himself. He always believed that his daughter's death was his own fault. After suffering from Alzheimer's disease, he still remembered it. She often locks herself in the bathroom and calls her daughter's name, trying to save everything before her daughter commits suicide.

This kind of situation is extremely tricky, grandfather doesn't listen to other people at all, even Henry, he has to be patient, patient, and spend a lot of effort to persuade grandfather out bit by bit.

It is precisely because of this that Henry asked the hospital to remove the door lock of the bathroom to avoid such a situation. But obviously, the nurses at the hospital didn't care at all and never implemented it; and every time something happened, they were irresponsible and called Henry directly to deal with it. Tonight, again.

Henry tossed for a while, and finally coaxed his grandfather out and put him to bed. Afterwards, Henry saw the sleepy-eyed and idle nurse, and his anger finally erupted. He vented all his emotions towards the nurse, and threatened him severely before turning to leave.

open.

In fact, Henry is not hard-hearted. He noticed the embarrassment and embarrassment of the nurse, and he also noticed the fragility and timidity of the nurse, like a stray dog ​​shivering in the rainstorm, under the weight of life, she was powerless to fight back. , even without any extra attacks, she was already scarred and exhausted. However, he still poured out his anger reluctantly, and kept seeing the tears of fear in the eyes of the other party, and then he gave up and walked away.

It was a bumpy night, suffering from insomnia, which put his physical strength and energy to a huge test; the bad condition of his grandfather worried him, the gray and rotten smell of infinitely close to death, It was overflowing little by little; and grandfather's obsession with his mother in the confusion once again awakened the nightmare deep in his mind, the nightmare of the mother lying naked in the bathroom.

That day was like drowning. The pain and torment of struggling between the water's surface was deeply rooted in the corners and corners of the soul, and it was never really healed. The long-term torture has left the soul torn apart. , almost unsustainable, every day seems to be lingering. Live, but never really live.

On the bus home, Henry fell into a breakdown, tearful, unable to contain himself, and all the grief, bitterness and pain erupted. It was under such circumstances that he met Erica.

In this scene, Henry sees Erica in the back seat of the bus, serving a drunken alcoholic. After the service was over, the drunkard was so dazed that he didn't respond. Erica loudly demanded her reward, but got a slap in the face. Erica stood up consciously, turned around and saw Henry with tears all over his face, with pity and sympathy in those sad eyes. So Erica found a new prey, she decided to follow Henry, and then wait for the opportunity to find an opportunity to earn the first payment tonight.

The scene itself is not small, about two minutes before and after; moreover, this is not only Erica's debut, but also Henry's first collapse.

According to Renly's conception, Henry's emotions are revealed layer by layer, side by side, especially when facing the three female characters, the sense of layering and depth presents the entire character in a three-dimensional manner. Therefore, this scene is even more important, and it can be regarded as the first scene with an explosion of acting skills since the filming of "Aloof".

Not only that, but Tony's requirements for this scene are also different. He is looking for a more suitable and mature shot to show the relationship between Erica and Henry. His thinking is not very clear, and he is always swaying. indefinite.

For a while, he wanted to be able to take a panoramic shot inside the bus to capture the relationship between Henry and Erica from an all-round perspective; for a while, he wanted to capture the details of the two actors' expressions in close-up, but The image of Erica's service is really too big. At the same time, Sammy is still a minor, so some scenes cannot be filmed directly; after a while, he ran outside the bus again, trying to record the emotions in the performance from an indirect perspective.

For two full days, in fact, it was Tony who was tossing, and the actors didn't have time to play. Tony himself rejected the semi-finished product, and then started from scratch, which caused the entire crew to be unable to calm down and move forward. If you make progress, you will return to the same place, back to "zero point".

More importantly, this bus scene took place at night, and Tony insisted on shooting in real time and on the spot, so the crew had to work in a situation where day and night were reversed. Nothing worked, which was really frustrating, and the whole crew wasn't in great shape.

After entering the third day, Tony finally found some form, and the filming could continue intermittently, but there was a major problem with Renly's performance, and he was unable to meet Tony's performance requirements, or Tony's love for Lan The rhythm and state of Li's performance were always unsatisfactory.

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