The Greatest Showman

Remember in one second [End of the God Station] Mobile phone user input address: m.xinwanben.com

At the beginning, Andy really fought a game for the dividends of "Speed ​​and Passion 5", and finally successfully opened the situation.

If it is a commercial movie, the system of box office dividends is different, and Renly did not participate in it, so he could not deeply appreciate the difficulty of box office dividends; then Renly felt the same as the distribution cooperation of "Crazy Love".

It can be seen from Harvey Weinstein's attitude that in many cases, the producers would rather pay more than pay dividends to the actors.

First, it means that if the income is higher, the income of the actors will also be higher, which is in the interests of the producers. You can participate in more decision-making and take away the power of the producer.

In any case, box-office dividends are hard enough, but now, Tony not only gave box-office dividends, but went a step further and gave out video-disc dividends - and it was active, and Renly didn't even fight for it. Even if it's incredible, it's not enough to describe Tony's boldness and directness.

Renly knew that the box office and DVD of "Transcendence" were all over the street. Even if both parts could get a 5% dividend, his final salary would not be much higher, but that wasn't the point, the point was Tony sincerity and focus. Really let Renly see, Tony's 100% commitment to the film.

Of course, this small detail can also be seen. "Transcendence" should not plan to find other cooperative companies. It may be that Tony's own production company is responsible for investment and production, so he has the right to divide up this part of the interests - his own interests.

Such idiots are almost extinct in the colorful and glamorous Hollywood.

Compared to Woody Allen, and compared to Renly himself, Tony is the real "crazy for movies", which is admirable.

"Do you have any other needs?" After throwing the bomb in a hurry, Tony still looked at Renly intently and asked, "Or, the remuneration needs to be discussed further, and the remuneration may be more Difficult, but in terms of dividends..."

Looking at Tony's expression, Renly burst into laughter, a low laugh echoing in his chest, "If you continue, you will be bankrupt." In a mocking way, he rejected Tony's kindness.

Tony shrugged indifferently, "The opportunity to make money is everywhere, but the opportunity for art should not be missed."

Renly nodded. "No one wants to miss out on creative inspiration."

This response made Tony laugh, "By the way, I forgot to ask about your schedule." Tony finally remembered this, "Our crew still needs some preparation time and needs to find other actors, but, We are an independent small crew, so we are more flexible."

After pondering for a moment, Tony said hesitantly, "Our expectation is to start the machine in April, but if we miss April, it will start in June at the latest. Is your schedule ok? Or do we need to cooperate with and adjust it further?" The schedules of independent films are relatively flexible, and there are many factors that affect them. These are two completely different models from commercial films.

Renly thought of what Andy called "the girl with the dragon tattoo".

"No problem." Renly gave his answer, nodding affirmatively, "I would like to be in this work. But, I have a question."

Tony and Carl both showed joyful expressions, but before they had time to celebrate, they were attracted by Renly's question and stared at Renly, which made Renly smile and said, "When can I start? Read the script?"

Read "detachment" scripts, not to build characters, not to bring in characters, but to read lines.

For expressive acting, lines are not the most important thing. In many cases, the expression of emotions is still powerful without lines, but it is undeniable that lines are a very important part of performance. Really outstanding academic actors, the basic skills of lines can definitely stand the test.

What's more, "detachment" has a lot of monologues and confessions, and the meaning of the lines is even more important.

The cautiousness between Tony's eyebrows dissipated, replaced by genuine joy, he liked Renly's attitude, "Tomorrow, tomorrow will be fine. You give me the agent's business card, I will contact him, and the contract will be settled as soon as possible. When it's done, you can start reading the script, and we can start working on the other parts."

Broker's business card.

Renly suddenly felt a burst of joy. First George Slender, then Tony Kaye, Andy would have been confused by these unplanned calls. As a rookie actor, he is really not very "keeping his own way".

Tony caught the playfulness in Renly's smile and widened his eyes, "What's wrong?"

Renly waved his hand, "It's fine." He rummaged through his wallet, but found that he didn't have the habit of carrying Andy's business card with him at all, so he could only take out his cell phone, "Otherwise, I'll just call his phone number. number sent to you?"

So casual, so direct, and even a little rambling. Sure enough, there are more or less similarities between artists.

"No problem." Tony also took out his mobile phone and exchanged their phone numbers.

Afterwards, Woody asked Renly for tonight's performance list very seriously - Renly's previous guess was correct, Woody did come here today with Tony and Carl to enjoy the performance, and then wanted to tell Stanley inquire about

Check out Renly's contact details. For an old pedant like Woody, that's a lot more convenient than the Screen Actors Guild.

Renly really didn't know anything, and after asking Neil at the bar, he came back to explain.

Just as Renly was about to leave, Woody said casually, "How about you? When are you going to perform on stage?"

"Not tonight, at least," Renly replied half-jokingly.

Tony laughed and responded. But Woody didn't buy it, and he still had that indifferent expression, "You are a good performer, maybe you should be on stage more."

Such a compliment really surprised Renly.

The famous Woody Allen, can be said to be famous, has always been picky, sarcastic, hilarious and scolded never soft, and never saw who he wanted to compromise. Apart from New York, the love of his life, the city has always had a special charm under his lens.

Not to mention Renly, even Tony cast his eyes in surprise. Woody was unmoved, just shrugged, "I know you're an actor, but the stage itself is part of the show. Maybe, you can find a time each week to perform here and experience life. Here In a small bar, inclusive things may take your whole life, but you may not be able to read them."

Renly remembered something. Woody was a saxophone player. He played in a bar every Monday for thirty years without interruption.

He is a director, but he is not just a director. All art forms are essentially the same, and all reflect the soul of the creator and artist.

In the eyes of others, performing the saxophone every Monday is not a proper job, and it is a hobby that has nothing to do with the director's work. But who knows? Perhaps, the root cause of Woody's ability to maintain such a strong creativity at such an advanced age lies in the performance every Monday.

Renly felt that the next time he had time, he should find a Monday and make a special trip to watch Woody's performance and the New York nightlife in Woody's eyes.

"I suddenly became a little curious." Tony looked at Renly with great interest.

Woody's words are filled with disdain and criticism of Renly, both inside and out. At only 21 years old, even if his acting talent is outstanding, the accumulation and polishing of social experience is still not enough. Compared with the previous three works, Henry, who is "detached", is a character with real experience and background. His tests of actors are all-round. Even if it is difficult to imagine, the actual situation is ten times more difficult.

However, Tony heard the hidden affirmation. Woody wouldn't have been so persistent if he hadn't been impressed with Renly's performance. This is really an interesting thing, and Tony can't help but look forward to it.

Renly responded with a smile, "That'll have to wait for the next time."

It's actually a closed door. Rare, really rare. Tony glanced at Woody's expression secretly, and the look of disdain and contempt added a little stiffness, which was really wonderful.

Renly, on the other hand, was very calm, not in the slightest nervous about rejecting Woody, or complacent.

Every artist has his own way of creating, there is no so-called right way, and there is no so-called wrong way. Woody has his own way, Renly has his rhythm, different ways, opening the same world, will see different things. What suits Woody may not suit him; what suits him may not suit Woody. Renly had no plans to shake his principles because the opponent was Woody Allen.

What's more, compared to Tony, who is dedicated, Renly is already not doing his job properly, and he is really ashamed.

Of course, Renly also admits that using music to build an ideological bridge, between himself and his works, between himself and his characters, and between himself and his co-actors, establishes a smooth track, which is worthy of recognition. The song "Cleopatra" played an important role in the reason he was able to get the role of Eugene Sledge in the first place.

But while Renly admired Tony, he wasn't about to give up his hobbies. Admiration is admiration, but Renly still intends to follow his own path, continue to explore, find his own way of creation, and look forward to reaching the same end point in the end.

After speaking, Renly turned to leave.

Tony watched Renly leave, and slammed Woody with his shoulder. With a gloating expression on his face, Woody rolled his eyes and ignored him; Carl, who was sitting opposite, looked at the mischievous Tony. , shook his head helplessly, and decided not to get involved.

Support (end this site) and share this site with those who need it! Can't find the book, please leave a message!