The Director of Music Department

Let's look at realistic themes again, and look at those successful realistic-themed movies.

What actors were used?

Take "I'm Not the God of Medicine" as an example. For this kind of movie, new directors and tool people may not be able to make it well.

Because there are many things involved in it, it will be out of control for a while.

And in terms of actors, which of the actors Wang Yifan used can be controlled by a new director?

Wang Yifan is also thinking about it. To be honest, realistic movies are not suitable for launching too many movies at once like other movies.

Because realistic-themed movies focus on reality, and the production cycle for this kind of movie is not short, mainly because of the preliminary preparations.

For example, Wang Yifan has the theme of anti-trafficking and the script. "Dear" is very good.

And the reputation is also very good.

But this movie does not mean that if there is a script, a story, and the right director is found, the actors can make it.

It's not that simple.

First of all, both the director and the actors need a long time to prepare. For the director, it is a test of the director's ability to control the scale of the film and the plot.

For realistic themes, it is necessary to take into account the authenticity of reality, but also to ensure the tension of the film and the conflict of the plot.

At the same time, we must also consider the differences between the previous life and this world, which need to be avoided.

As for the actors, who were the actors in this movie in their previous lives? People like Huang Bo and Zhao Wei, to put it bluntly, among the actors in Huaguo, even if their acting skills are not the best, they are definitely among the top-notch ones.

Even if this is the case, they still need to experience, feel, investigate, and so on, the characters to be played.

As for the director, it is definitely impossible to really shoot according to the script. The biggest difference between realistic movies and other movies is that when making other movies, the director can be a tool person, and he can shoot whatever the script is written.

But reality-themed movies really don’t work!

"Do you have any suggestions?" Wang Yifan still asked.

Chen Hanming pondered for a moment and said: "First of all, I want to know, this time, are you going to come up with the story yourself, and then choose the director, or let the director bring his own project?"

Wang Yifan frowned and asked, "How about I come up with a story myself? What about the director's own project?"

"If you do the story script yourself, it is of course much simpler. You just need to choose the right director. In fact, this is no different from the previous Rising Star Director Program. The only difference is probably the people who are screened, from newcomers to everyone. Director. And if the director is to bring his own project, another problem is involved, that is, the prospect of the project. After all, everyone now knows that your project is of the highest quality, while others may not. "Chen Hanming smiled and flattered by the way.

"Let's do both!" Wang Yifan thought for a while and said.

"Alright, then how do you plan to announce this matter?" Chen Hanming asked.

"This time, let's treat it as a supplement to the new star director plan. Don't hold any more press conferences. It won't be too late to choose after the filming starts." Wang Yifan thought about it. It is more sensitive and not suitable for excessive publicity like other movies.

For example, for a movie like "Dear", in fact, it is not easy to do too much publicity in the early stage. At most, it is to explain why such a movie is made.

Because the subject matter itself is relatively heavy.

After returning home, Wang Yifan originally thought he could write "Dear" quickly, but soon he discovered that writing the story is simple, but many details are difficult.

Moreover, a movie with the theme of "Dear", a movie with a realistic theme, is not suitable for a screenwriter team to fill in like before.

Because this is a realistic movie, there are many things that are not suitable for commercial dialogue.

In the dead of night, Wang Yifan stopped what he was doing, and he wrote the outline of the story script of "Dear". But in terms of details, although he had seen this movie in his previous life, and when he watched it, he felt heavy in his heart, but now let him He tried to think about those details, but he couldn't think well, or he could barely write it out, and he felt that it was difficult to have the feeling of the previous life.

Some things can only give people that sense of reality if they have experienced it, and only those who have personally experienced it.

It is true that "Dear" is a story about fighting abductions, but in fact, there were many themes about fighting abductions and loss of orphans in China in the previous life, but why is "Dear" the highest achievement?

Because this story is not simply a story about abduction.

In his previous life, Wang Yifan remembered that the script "Dear" was adapted by the screenwriter based on an early CCTV news about "fighting abductions". lost.

In fact, there is not much difference between the previous and many anti-abduction movies and stories, except that the child is lost.

In the following story, the husband and wife are working hard to find their children. On the way, they met many parents who were looking for children like themselves, and many shocking things happened.

Although many of these are shocking, they are very real. What it feels like to lose a child, no one who is a parent is willing to experience it, but this story shows them all.

But purely from the perspective of movies, this kind of plot is not uncommon.

The most special thing about "Dear" is that it changes the traditional drama structure. The first half of the script tells a story of finding a child who is lost and found, but the key lies in the second half of the script, because the plot in the second half is not simply It tells the story of finding a son who was lost and found, but from another perspective, telling a story of finding and losing.

Thus, a controversy arose.

Because of the second half of the story, the abducted child was raised by the trafficker's wife as her own son. She fulfilled the responsibility of a mother to the child and gave him enough maternal love.

But the child always belonged to someone else, and she was the trafficker's wife.

Therefore, a kind of contradiction and controversy has been formed.

That's what makes this story so haunting.

Stories of simple loss and recovery are not uncommon, but this kind of loss and recovery, to gain and loss again, coupled with the special identity, has caused contradictions.

This is the most exciting and heaviest part of this story.

In fact, in reality, there are relatively few examples of this kind, and more of them are ordinary families who bought their children from outside.

They love their children very much, but the fact is that they can also be regarded as accomplices of human traffickers, as the so-called no trade means no harm.

This is what happens most in reality.

This kind of contradiction, this kind of conflict, on the contrary, brings people more food for thought than those simple injuries!

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