The Director of Music Department

Six hundred and sixty-three. Despair with Nowhere to Escape

Although Wang Yifan is working, in fact, his job is to introduce some general aspects of the story to the two gunmen of his own.

Komatsu Jiro and Suzuki Hanako both looked very respectful.

Don't think that this time it's just a ghostwriter and just hire a random shooter?

But in fact, this is not the case. In fact, many more famous writers, some of their works, have ghostwriters, but they are all the same famous writers.

Of course, compared to Wang Yifan, Komatsu Jiro and Suzuki Hanako are obviously not good enough.

So why are they willing to be gunmen, and they are also called the lucky ones by many colleagues.

Of course it was because, although "Midnight Ring" will feature Wang Yifan's name, their names will also appear on the novel at that time.

And this time to cooperate with Toei, Toei also made a condition that they could not refuse.

"The ability to project the images in your mind onto the film without using a camera lens is definitely what any director would like to have, right? Director Wang's whimsical ideas are really admirable!" Jiro Komatsu exclaimed.

The protagonist Sadako of "Midnight Ring" is a person with supernatural powers, and her supernatural powers are so special, so it is indeed like what Komatsu Jiro said, this kind of supernatural power is absolutely dreamed by countless people, especially the director, If you can directly project the image in your mind onto the film, or directly make it into a video, then it will really be a heifer, and it will be awesome.

"Yeah, if a director can have such ability, then he will definitely become a top director!" Suzuki Hanako also exclaimed.

Holding the coffee, Wang Yifan took a sip, and said with a smile to what Suzuki Hanako and Komatsu Jiro said: "In the history of your island country, I remember that there were three people who had such abilities, but unfortunately none of them could Be a great director."

"Nani?" Komatsu Jiro looked surprised.

"Is this true?" Suzuki Hanako couldn't help exclaiming.

"I don't know if it's true, but I remember seeing related information somewhere. I remember that one of them was accused by the media as a scammer, and she couldn't bear the pressure, so she committed suicide by drinking drugs in anger; the other was also condemned by the media. , later died of a heart attack; the last mysteriously disappeared, whereabouts are unknown."

"So, my inspiration comes from this. If a person who has the ability to think with them turns into a fierce spirit after death, she projects her memories and resentments during her lifetime onto a video tape. Anyone who has played this videotape will... die!"

"The story is probably that a mysterious case happened in the island country. Four high school students died strangely. The reporter Asakawa was sent to investigate the matter, and then learned that the victim Yuko and her classmates had watched a video together before they died. She was hospitalized in horror, so she found the hotel where they watched the video tape, and found a video tape without a name. Asakawa felt that the tape was weird, so she took the tape home and found her ex-husband Gao Shanlong Division, and copied the video for him to study, through the hidden dialect in the video and the images of the newspaper above, they found the source of the video, where they learned that a girl with superpowers recorded it with her mind, of which It's all the girl's resentment, so anyone who has watched the videotape will die after 7 days.

At this time, Asakawa's son watched the video under the instruction of an unknown force. Asakawa and Takayama thought that as long as they found the girl's body, the curse could be resolved. They found the well under the hut where the four students watched the video, and found the girl's body in the well. But Takayama still died the next day, and Asakawa finally knew the way to really break the curse, which is to copy the video for others to watch. In order to save her son, she decided to copy the video for others to watch. "

Wang Yifan once again briefly described the general content of the story to Komatsu Jiro and Suzuki Hanako.

"Novels are different from scripts, so when you write, you'd better detail the process of the four high school students watching the videotape, etc., and the key point is the investigation process of Asakawa and Takayama. The biggest essence of this story is that horror novels live in movies. , the endless terror should be conveyed to the reader or the audience, not to tell them it's all over.

Because it is difficult for a novel to directly let the audience see horror through the screen like a movie, it must focus on psychological horror. The most frightening thing is the unknown, using the fear of the unknown, and then adding fatal predictions in a depressive way, constantly hinting, and then causing strong psychological pressure on people.

In my opinion, the scariest things often do not require people to watch, but lead people to think. In previous horror films, ghosts are tangible individuals that can be avoided. In the story of "Midnight Ring", I hope it is ghosts. Not only does it exist, but it is also in people's consciousness, which will make people appear when the time comes, and make people have a kind of despair that has nowhere to escape. "Wang Yifan said with a smile.

Both Komatsu Jiro and Suzuki Hanako nodded in unison.

What kind of existence is a ghost? There have been countless ways to show it in movies.

And what Wang Yifan needs is the kind, which is in people's consciousness, which will make it appear when the time comes, not like some movies, which can be avoided by various psychics or onmyojis, etc., to get rid of this ghost! What he wants is a kind of despair that makes people have nowhere to escape!

Western-style horror films, in the early days, usually simply terrified the audience with bloody images and brutal killing methods. This kind of film that uses the most intuitive images to stimulate the audience is not scary, but disgusting.

Psychological horror films are even better. Although Sadako shows her frightening true colors at the end of the story, the unfinished story tells the audience fiercely, wait, the nightmare has just begun! Using video tapes, telephones, mirrors, wells and other common things in daily life to aggravate the audience's self-psychological suggestion is a high level of horror movies, leading the audience into the strange circle of scaring themselves, with endless aftertaste and lingering ghosts.

That's the essence of this movie!

Jiro Komatsu and Hanako Suzuki looked at Wang Yifan adoringly.

In fact, many people understand these principles, but how to show them through specific stories is the biggest problem.

And Wang Yifan has undoubtedly solved this problem, so the next step is to rely on Komatsu Jiro and Suzuki Hanako to control the story. How should the story be written in a novel?

How to shape and brew this heartfelt fear through words!

That's the point of their work!

Creativity is sometimes worthless, but at the level of Wang Yifan, creativity is of infinite value!

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