The Director of Music Department

The movie seems to have revealed a lot of information here.

Malcolm is a famous psychiatrist.

But because of the patient who had given up, his life changed.

Perhaps it was because of this that he took Cole's case.

On the other hand, Cole is obviously a boy with a story, a boy with a secret, and he doesn't want to tell anyone about this secret.

And are the scars on his body related to these secrets?

All of this feels confusing.

The film continues.

Malcolm hurried into a dimly lit Italian restaurant. He searched every table and found Anna.

Anna sat alone in a corner. The half-eaten food was still on the table.

Anna stirred the coffee, and Malcolm sat down across from her, and she continued to stir without looking up.

"I thought you were talking about another Italian restaurant where I begged you to marry me," Malcolm said.

It's a pity that Anna still didn't move.

Malcolm said again: "Anna, I'm sorry. I keep forgetting the time recently."

Anna took a sip of coffee lightly.

Malcolm said in distress again: "Today's visit didn't go well either."

Anna looked up for the waiter.

Malcolm: "...they're both very similar, the same movements and expressions, the same psychological issues. He may have been abused."

Anna turned her head, glanced in Malcolm's direction, and lowered her head again.

Malcolm: "... Cole has a scratch on his hand, it seems to be scratched by a fingernail, maybe it was scratched when he resisted. I don't know. It may be a teacher or a neighbor. It should not be his mother. I have seen They get along, it doesn't look like her. I may be wrong. Maybe he just likes to climb trees."

The waiter put down the bill, and Anna signed the bill before Malcolm did.

Malcolm apologized very sincerely: "Anna, I know I alienated you, and I know you are angry...but I think this is my chance to make up. I don't want to miss it."

Anna just said, "Happy wedding anniversary."

Anna got up and left without another word.

Malcolm sat alone.

This scene once again made it difficult for the audience to understand.

Why did two people who were once in love become like this.

Something is clearly wrong with Anna and Malcolm, but what is it?

Is it really because Malcolm alienated her?

All of this makes the audience wonder. Of course, at the same time, they will also be curious and look forward to the announcement of the final answer!

Back to the movies.

Cole and Malcolm walked along Brownstone Street, and children around seven or eight years old played beside them from time to time.

Cole looked at Malcolm and said, "Don't keep looking at me. I don't like being looked at that way."

Malcolm nodded kindly and said, "Okay."

Cole explained: "I go to school with Tommy."

Malcolm asked, "Is he a good friend of yours?"

Cole said sadly: "He hates me."

Malcolm asked, "Do you hate him?"

But Cole shook his head: "No."

Malcolm asked again: "Is this arranged by your mother?"

Cole nodded: "Yes."

Malcolm continued, "Did you tell your mother about Tommy?"

Cole glanced at Malcolm, then shook his head and said, "I won't tell her anything."

Malcolm was a little puzzled: "Why?"

Cole said, "I don't want her to look at me like other people do. I don't want her to know."

Malcolm was curious: "Know what?"

Cole looked at him and said, "I'm a freak."

Malcolm stopped. He stared at Cole. "You're not a freak, you know? Don't believe what people say, it's all bullshit. You don't have to believe it. Okay? Let's go."

Cole was a little surprised. He caught up to Malcolm and said, "You just said a dirty word."

Malcolm nodded: "Yes, I know. Sorry."

Malcolm was a little emotional, and Cole was suddenly moved by Malcolm, and he looked at Malcolm with another look.

In this scene, the conversation between the two, one big and one small, reveals many things.

First, Cole has problems, and he has secrets that he doesn't want to tell Mom.

Just what the hell is the secret?

Why does telling mom make mom look at him like everyone else?

What exactly is it that makes a kid feel like a freak?

All of this, not only did not make the audience feel relieved, but even more confused.

Go back to Cole's house.

Mother Lynn is tidying up the house.

She slung a laundry basket, adjusted the thermostat on the wall, and turned into the hall.

Lin put the laundry in the laundry basket.

On the wall in the foyer are pictures of Lynn and Cole in their lives. There's Cole's birthday party, Lynn and Cole at an amusement park, Cole under the Christmas tree...

Lin took a step forward. She discovered something she had never noticed before.

In the photo of Cole when he was 3 years old, there is an arc behind Cole, the arc is not very clear, it seems to be a dirty thing on the negative.

Lin found that in every adjacent photo, there was an arc behind Cole.

She looked at each photo curiously.

The audience is also a little strange, how to say? The movie can be said to be advancing step by step, but it leaves more and more doubts.

Lin listened to the earphones, walked into Cole's room and began to tidy up.

The most eye-catching thing in the whole room is the homemade tent, which is fixed on chairs and boxes with sheets and blankets, occupying a large area of ​​the room. "Do Not Enter" was written on the tent. The collie moved and continued to sleep.

On Cole's nightstand is a framed picture of Lynn, Cole and a man. The man is like a bigger version of Cole.

Lin picked up the dirty clothes on the floor and on the easel, and threw them into the laundry basket.

Lin saw that the table was covered with scraps of paper with writing on it. Lin was stunned by the content on the paper.

Words like "I'm going to kill you" and "If you don't keep the baby quiet I'll kill you" were written all over the paper.

Not to mention Lin as a mother, even the audience was stunned when they saw it.

Why on earth, what the hell is going on with these things?

Shot transition.

Came to Cole and Malcolm.

"...so your dad lives in Pittsburgh with Miss Tollbooth," Malcolm asked, sitting on the couch.

Cole wondered, "What if she has to pee at work? Will she hold it?"

Malcolm: "I don't know. I'm wondering about that too."

Cole didn't understand and was puzzled: "You keep asking about my dad today. Why?"

Cole was playing behind the couch, but had no idea what he was playing.

Malcolm: "I don't know. Sometimes we do things to get attention, to express how we feel about certain things, like a divorce or something. Like some people throw things on purpose so they can be found."

Cole's head is moving. But obviously wearing a hat.

Malcolm: "Cole, do you know free association writing?"

Cole: "I don't know."

Malcolm: "Free associative writing is just taking a pen and starting writing on a piece of paper. Don't look or think about what you're writing, just keep writing. As long as your hand doesn't stop, after a while , you will write unexpected things on a whim. Perhaps it is something you have heard elsewhere, or something hidden deep in your heart. Have you ever written?"

"Written."

Malcolm: "What do you write about?"

Cole was behind the sofa, only the top of his head was exposed: "Some annoying words."

Malcolm: "Did you write those words before your dad left?"

Cole: "I don't remember."

Malcolm looked at Cole, and suddenly thought of a question: "Do me a favor, please?"

Malcolm smiled and stood up: "Think about what you want for our interview. Set a goal."

"What do I want?" Cole poked his head out from behind the sofa. He was wearing his father's hat, which was too big and covered him with only his small face.

Malcolm: "If you could change your life, what would it be?"

Cole came out from behind the sofa: "Can I not have anything?"

Malcolm: "Okay."

Cole: "I don't want to be scared anymore."

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