Soul Painter

　　Waiting for the third hour.

　　 It's almost noon.

　　 Many of the spectators who watched this ‘Bihua’ didn’t even eat lunch and just waited for the results to come out.

　　 But for some painters and collectors, there are already results within the first hour after both sides have written.

It’s like watching a cat not grow into a dog over time. The basic skills of drawing techniques are reflected in every line and every color. A better one is better. The place will be better.

　　 Judging from the layout and the bottom line, Lu Guoying’s disciple is obviously superior.

　　 is not surprisingly stunning either.

　　 But considering Gao Fan’s age and his status as a junior, it really makes people feel that another rising star in the domestic oil painting industry is rising, and Mr. Lu is still insightful.

　　 It's fine at this point. Many famous painters who participated in the exhibition just came over and took a look with curiosity, and then they went away.

　　 Even the disciples of Lu Guoying, at this age, in their eyes, they are nothing more than pecking at each other.

　　 There are more and more idlers onlookers.

After visiting the biennale, many friends from the public came to this novel “creative space” after they sent out feelings of “painted really like,” painted a little like,” painted not so like,”. An art student was painting on the spot, and tried to pick up a paintbrush and paint a little by himself. In short, the more people gathered, the more professional concentration decreased.

　　 The director pays attention to Gao Fan and his students throughout the whole process. Can you not pay attention to it?

　　 Looking at Gao Fan's creation, the director is gratified and bitter.

The gratification is that this'mud', which was admitted to Tianmei as the first place in the school, finally turned into a'hundred gold and jade' on this day. Looking at Gao Fan's focus on painting, as well as the formation of the lines and colors in his brushes. The appearance of a future great painter is slowly taking shape in the eyes of the director.

　　 The bitterness is that Gao Fan is still drawing ‘maggots’. Does "A Thousand Maggots Rushing" no longer have ‘maggots’ but also ‘people’, so does it become a ‘maggot person’?

On the paintings that have begun to paint, the overall look is like a Hollywood thriller movie poster. The close shot is a'maggot man' with his limbs dancing. He climbs on the ground and moves forward with an indescribable sense of fluidity, while the maggot is walking forward under his feet. It was a long black iron bridge extending all the way up to the top of the canvas. The sky had already been seen over there, and it seemed to be moving from darkness to light, and it was the back of the person holding a book to guide this light.

The overall layout of the painting is very impactful. The location of the maggots is full of darkness, and its strange shapes are very shocking. As the colors are gradually completed, people feel goose bumps at first glance, and there is more than one onlooker. After the crowd took a closer look for a while, they hugged their shoulders and said'a bit scary, scary, and disgusting'.

　　Although the light on the top of the painting has a small proportion, it gives people a feeling of hope, especially the human figure in the painting, which is clearly only a back, but it makes people feel that he is pulling the light.

This kind of layout borrows “darkness” to metaphor “light”, and uses “big” to see “small”. The design from “near” to “far” has been shown to students countless times in the director’s teaching career, which is a comparison. One of the classic spatial structures.

　　 It can effectively make a limited canvas present an infinite volume.

　　 At this moment, I saw Gao Fan interpret it. Although it cannot be said to be perfect, it is definitely the difference between heaven and earth compared to Gao Fan half a month ago.

　　 A genius is a genius, once it is resuscitated, its potential can jump for nine days!

　　 The director looked at Gao Fan's gaze, already full of kindness.

And Ain and Lawrence, two well-known gallery owners, will naturally not stay here for their painting achievements. If Lu Guoying and a certain international master were to be tested, they would definitely be staring at it, but the two students would have lost it. Identity, an important occasion such as the Biennale, of course, must be used to appreciate masterpieces and communicate with outstanding painters. Maybe you can sign several valuable contracts.

　　Although Ain regards the country as a cultural desert, there may be artistic wonders growing in the desert, and businessmen are not reserved.

　　 When the four hours were about to end, the two of them also wandered back.

They first looked at Fang Jianbin and nodded. This "Girl in the Mirror" uses the classic "sitting in the mirror" to express the spatial pattern, while the characters in the painting are rich in details and full of colors, and there are no models in the painting. In front of me, it is very difficult to draw such works only from memory.

However, there are the same problems with the work of "The Girl Picking Tea". The proportions of the characters are always slightly out of balance. The neck of the girl in the mirror shows an unharmonious slenderness. This is a problem of creative techniques and habits, or aesthetics. Was improperly affected.

　　 "Learning Angel." Lawrence said.

　　 "There are deficiencies in every aspect." Ain said implicitly.

　　 Fang Jianbin was influenced by Angel, and his aesthetic surpassed his current skill level.

　　 The paintings can also reflect the character of a painter, in the common saying is that the eyes are good and the hands are low.

　　Although there are problems with the color structure of the other space, they are all minor problems. They can be corrected. Only the creative habits are like a person’s personality, which is difficult to correct.

　　 came behind Gao Fan again. UU reading www.uukanshu.com

　　 Both eyes lit up at the same time.

　　 Gao Fan’s work has already seen its rough appearance, and is rapidly coloring.

　　 seems to have been in the chest for a long time.

　　 "The creative technique is in the same line as that of the exhibit." Ain said, "Your little brother learned a lot when copying that work. Strangely, you can't see Mr. Lu Guoying's shadow at all."

　　 Lawrence also doesn't know how his teacher taught this little junior, which is also strange.

Of course, what the two of them didn’t know was that the relationship between Lu Guoying and Gao Fan was just like the Biennale. It was the past ten days. Although Gao Fan knew Lu Guoying’s name, he had never studied Lu Guoying’s works and oil paintings. There are so many masters in history, with peerless works onboard, Lu Guoying is well-known in modern times, but he does not have the qualifications for textbooks yet.

And the style used by Gao Fan at this moment, including the use of color and structure, was actually influenced by the masterpiece "Devil Genesis" in the abyss comparable to Michelangelo. In addition to being a demon sacrifice, Lin Daogan is also a rare one. He is a genius painter, and now only Gao Fan has seen and imitated his style in the entire world.

　　 "Excellent, but not genius-like excellence." Ain said to Lawrence, "I'm afraid I won't see the surprise you said."

　　 "The painting is not finished, how would you know that you can't see it?" Lawrence asked rhetorically, "There is an idiom in China called'finishing the finishing touch'. I can explain it for you."

　　 "That only applies to Chinese painting, there is no such technique in oil painting." Ain shook his head.

　　 And just as the two were discussing quietly, Gao Fan, who was creating, suddenly sketched a large amount of color on the maggot. The whole painting immediately showed a completely different texture, and the two of them stared at the same time.