Reborn with Naruto In Tokyo, Japan

Before writing this testimonial, I must admit a fact that may be seen through by some lovely readers - I have not seen "Naruto".

=_=

To be precise, I have only watched a few episodes of Naruto on Star TV, and I probably saw the plot before the death of the third generation.

You can kill me.

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On April 15th, at 2:09 in the morning, I started writing this final testimonial.

There are 10,000 words in my heart that I want to say, but in the end I don't know what to say.

The things I want to say are about this book, but there are some things about others.

Because there are so many things I want to say, some of them can’t be picked up. In the end, maybe my writing skills are too poor. go down.

Even after finishing this testimonial, it is estimated that I will write a lot of rambling.

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Thank you for your support, thank you for being able to read the fantasy of more than two million words, thank you for editing Xiaoyuan, thank you for your book friends, the one-horned sea cucumber bread cat, and thank the leader of the old fat 520, the dawn of the sky, and the little brother after the rain. Fan girl (????), can I still have female fans? Thanks...and so many people to thank.

It's actually a bit embarrassing to say thank you. Although I haven't read the comment section for half a year, I also understand that after the book's release, the plot development of this book has become less and less satisfactory.

Rather than saying thanks, it's better to say sorry.

I'm sorry that this book is getting more and more boring and boring.

But it's a done deal, just like what I've experienced in real life now, the terrible things are irreversible, so let's summarize the mistakes and gains.

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This book can be said to have gone through many twists and turns.

What many people don't know is that the book was signed when it was about 11,200,000 to 20,000 words and about 50 chapters. Before the first recommendation, it ran naked to 10,000 collections.

Thinking about it, it's amazing, lol.

Well, most of the books are actually about 6,000 words, before 30,000 words were picked by editors and signed. This book can last for more than 100,000 words before signing. It is also a rare thing. I must thank you again here. Edit the small circle.

So signing the contract so late has caused a problem - this book was about 100 chapters ready when I wrote more than 40 chapters, and it was hastily finished.

Because there was no hope of signing a contract at that time, but I didn't want to be a **** directly, so I accelerated the progress of the plot and went directly to the plot of [Bone Girl Massacre].

By the time of this episode, the protagonist is actually invincible.

According to the normal rhythm of the novel, it will take at least a few hundred chapters to get to this plot. The original idea of ​​this novel is that the protagonist uses ninjutsu to manage his life carefully, occasionally mixed with some refreshing plots, but because of the delay I didn't sign a contract and in order to finish it quickly, I just skimmed through these plots and went straight to the end of the book in about fifty chapters.

But just when I wrote this plot, the editor took a fancy to it and signed a contract. It was such a coincidence that it was impossible to take back the plot that had already been sent out, so I could only continue to write along this obviously accelerated plot.

Having led the plot into an invincible dead end, how do you write it down?

At this time, I thought about whether to write a group portrait, so the system changed under the author's will, and it changed from [the daily life of an extraordinary high school student] to a group portrait drama.

The group portraits are like Misa, Takeo Mobe and so on.

It seems that Misa was probably a background board in the previous arrangement, using the misery of a little girl to set off the sinister nature of the pole, and Takeo Moribe was also a character who died immediately after appearing on the scene...

But the genre of group portrait dramas is really difficult to write, or it is not suitable for individualistic web articles, or the main line of the book is not ready to write group portrait dramas, even without a spine, how can you create an overlord? Dragon? Therefore, as the plot gets deeper and deeper, more and more characters are needed, and the more and more characters, the more and more scattered the connection with the protagonist...

Not only did the readers and gentlemen feel unhappy, I also occasionally get exhausted when writing this kind of group portrait drama. It's like a Russian nesting doll, one inside another.

If I just simply wrote branch stories like Misa, Takeo Moribe, etc., I could write dozens or hundreds of them without repeating them, but I always write stories about nesting dolls going offline, which makes me feel like I’m doing a mechanic. Sexual actions, and writing the story of the supporting role seems to be a flood, but the description of the protagonist always inevitably leads the story to the end quickly, because the protagonist is actually an invincible existence, which is caught in the [Irrigation or the end, An extremely vicious cycle of ending and impossible to end.

This book was written while struggling in the quagmire of cobwebs, just like my indescribable dramatic life.

Many people should have heard the question on the starting point app [How many chapters do you want to finish, author? ], I remember that what I answered at the time seemed to be six or seven hundred chapters? Yes, I did try to end it in six or seven hundred chapters, and I was almost sprayed with autism...

Therefore, under the strong opposition of everyone, I thought about not continuing to write, so I applied to the editor to block the new book that was opened at that time, and I continued to write this book - well, so I was told by the editor Madoka and the editor-in-chief A few words, autism +2.

At that time, unpleasant things also happened in my life, autism +3.

But the problems encountered in this invincible novel will not change because of my personal will, or I don't have the talent to put the train back on track, and the more I write the whole book, the more I fall into an infinite loop.

Invincible novels are not suitable for writing long novels.

Most of the invincible novels are either about one million words or less than one million words to end, or they simply write two or three hundred chapters and become eunuchs, because the collapse of the power system will inevitably bring about the collapse of the entire book, and readers will also Reading fatigue will occur. What an invincible protagonist wants is to roll over everything, but since everything has been rolled over, how can the novel go on? After all, what a story needs is tension and conflict, and the invincible protagonist has lost the point of conflict, which is naturally contrary to writing a story.

Where did my writing ideas come from? Because there is no conflict point, I simply think about what kind of stress the society will cause when an extraordinary force intervenes? So I continued to write with this stress response, describing the "not too mentally handicapped" national government, describing the nesting dolls under the siege of the national government, and describing the impact and transformation on society.

By the way, the description of the small stories revolving around the offline people and the offline relationship also tempered some of my ideas, or rather, I have freed myself and experimented with the nesting doll offline. My new ideas, such as Takahashi Pity's two transformations in his hometown and the orphanage, the people around these two transformations, and the little story of Park Piaole...

The short story of Zatou Yidao, the story of the monk, these two characters are different from other characters, and have no background of the past, abandoning the background narrative needed to describe the characters of the novel.

It is also in the experiments again and again that I try to make the characters that are masked and labelled, and gradually develop towards the kind of 'active' I want.

A character can be a bad guy or die, but because the values ​​it represents are too alive and too active, so a short space can leave a heavier memory than other important characters, such as the protagonist of this book, Mizuno Sora, by itself, doesn't seem to convey any values, views of good and evil, and vitality.

And the ending of this book, in fact, when I first wrote it, I thought it would be like this. No matter how many words and chapters I wrote, the ending will be like this, and it is the only ending that this book will have—— After all, it is impossible to hide behind the scenes forever. As long as you go to the front of the stage, it will definitely end like this.

Eh, before I knew it, I wrote more than 2,000 words after finishing this testimonial.

But it's already three o'clock in the morning, so it's impossible to fall asleep tonight.

I can have so many lovely readers reading my books. Although I am just a person with little talent, what I write is just a pile of books that are chaotic, boring and boring, and even the book review area is sprayed with fear. Feel happy and sorry.

I started writing this book at the beginning of the chaos, the blunt change of the plot, and the end of the chaos...

But this does not mean the end of this book. For the vital characters in the book, I plan to write their stories in the form of [Extras].

At that time, readers who want to read can admire their faces and watch, maybe this is the right way to write this book.

Everyone has their own story, and it doesn't have to end with the end of the protagonist. After all, the protagonist is just a hidden background board, lol.

I have written more than 2,700 words here, ah, there is still a lot to say, but the readers who can see this are probably tired of my rambling thoughts.

Let's promote the new book "Beginning of Tokyo Earth-Blasting Stars~www.readwn.com~ The name is known - Tokyo, extraordinary~www.readwn.com~ But the difference is that this time I no longer plan to write a group portrait drama. I really don’t know how to write stories about fighting monsters and upgrading, so I can only write some social stories that I have seen, been in contact with, and heard about.

Just like the stories experienced by the supporting characters described in this book, I started writing from a personal point of view, rambled and alive stories. Of course, these stories will be closely related to the protagonist.

For example, girls who want to resist social interaction, parents who entrust their help to kill their children, and so on.

These little stories have been brewing in my mind for several years, and now I want to write a pen to combine them with the protagonist. In reality, I am just an ordinary person who is caught in mundane and disgusting things and cannot extricate himself. I want to call in the book a kind of 'Superman' who can transcend reality, tear, smash, and unravel all darkness, disgust, and terror.

It is the complete opposite of the Shenyin protagonist of the present book.

The protagonist of "Starting Tokyo Starburst" is the Superman that I call for in my heart.

I also hope that my lovely readers will give me one last chance to read this book.

April 15, 3:30 in the morning.

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Disappointed, frightened.

This is the end of this testimonial.

Quietly say something, everyone can look forward to the episode.

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