Rebirth of the Entrepreneurship Era

A song "Broken Love Front Alliance" made the girls in the class alive instantly.

This song is very cheerful and has a strong sense of rhythm, and the dance that Xu Yiyang choreographed for everyone is not difficult, so everyone is very involved, and soon fell in love with this very magical Internet celebrity dance.

Tong Yuewei came to look for Gu Sijia, seeing Xu Yiyang taking them to dance practice, she was so shocked that she couldn't speak.

She never dreamed that Xu Yiyang, the treasure boy in her heart, had so many advantages that she hadn't discovered.

So, like a little girl, she put her chin on her hands and looked at Xu Yiyang obsessively. Her eyes were faster, more accurate, and brighter than the spotlights on the stage!

The dance practice is almost done, Chen Meng called Xu Yiyang and said, "Brother Xu, the restaurant and KTV are all booked, you and sister-in-law should hurry up and have dinner first."

Xu Yiyang said, "Okay, which restaurant?"

Chen Meng said: "As for the Cantonese restaurant that my sister-in-law went to eat the day she had a fever, I will be the host today, so don't compete with me for the checkout."

Xu Yiyang smiled and said, "Okay, but we need to add two more people tonight."

Chen Meng smiled and said: "I know, isn't it just the deputy squad leader and her girlfriend who has a crush on you? I booked a big box, and eight more people are fine."

Xu Yiyang said: "Okay, then we will go there later."

"Hurry up, we're all here."

Xu Yiyang greeted the girls and said, "Everyone, let's end today, it's getting late, everyone should be busy, eat and rest, and continue tomorrow."

Everyone thanked Xu Yiyang one after another, then packed up their things and left the classroom one after another.

Xu Yiyang called Shen Lele, Gu Sijia and Tong Yuewei to go to a restaurant outside the school for dinner.

Tong Yuewei replied shyly: "Xu Yiyang, I didn't expect you to be able to dance and choreograph! You are really amazing!"

Xu Yiyang chuckled and said: "It's nothing at all, don't take it seriously."

After finishing speaking, he changed the subject and said, "Sing together at night, did Sijia tell you?"

"Yeah!" Tong Yuewei nodded excitedly, and said, "I'm with Sijia, so I won't disturb your party, right?"

"No no no."

While waving his hands, Xu Yiyang thought to himself, Sijia doesn't bother, you bother.

But of course he still said with a smile on his face: "Come out to play, of course the more people there are, the happier you will be."

Only then did Tong Yuewei nodded, and said with a smile: "I will invite you back to Sijia some other day!"

Now she is unwilling to let go of any chance to meet Xu Yiyang, even if it is a gathering with a lot of people.

Xu Yiyang didn't take it seriously either, and directly took the three girls out of school, and went to the restaurant where Chen Meng and the others had been waiting for a long time.

At the dinner table, Xu Yiyang mentioned to Chen Meng about talking about cross talk.

After hearing this, Chen Meng was stunned: "Brother, I have never heard of cross talk since I grew up..."

Xu Yiyang waved his hand: "It's okay, it's relatively simple to hold a joke, it's nothing more than ah, ah, ah, ah, this is it, if you're smart, you'll be fine."

In fact, it is said that cross talk is the real test of skill.

However, most of the jokes really don't need to have too high a technical content.

Chen Meng felt a little relieved after listening, and asked again: "What shall we talk about? How about "A Thieves Company"? "Universe Cigarettes" seems to be pretty good too!"

Xu Yiyang said: "Let's not talk about what others have said, I will write a paragraph myself, and then you can say it according to the words."

"You wrote it yourself?" Chen Meng asked in surprise, "Brother Xu, do you still have this ability?"

Zhao Xin couldn't help asking: "Old Xu,

You can also write cross talk? "

Tong Yuewei said proudly: "What is writing cross talk, Xu Yiyang can also choreograph!"

When Tong Yuewei said this, her expression was very arrogant, as if Xu Yiyang was her boyfriend.

Xu Yiyang was already indifferent to Tong Yuewei's nympho behavior, so he naturally filtered out her words, and said to Chen Meng: "Anyway, you don't have to worry about this matter, I will write the words in these two days, and then we two Take some time, touch and pair, basically it’s almost the same. When the organizing committee reviews it, we will go up and say it according to the words. It’s best if we can pass. If we can’t pass, we don’t have to worry about it. I It’s also easy to communicate with the class teacher.”

Upon hearing this, Chen Meng breathed a sigh of relief, and said with a smile, "That's easy, I'll follow your orders."

Xu Yiyang nodded, already pondering in his heart which part of Guo Degang he should talk about when the time comes.

Guo Degang has too many classic cross talks, including traditional cross talks, innovative cross talks, and many cross talks derived from Internet hotspots and Internet jokes.

Traditional cross talk is more troublesome, especially those with Allegretto, Pingju, Peking Opera, Dagu and even Taiping lyrics. Xu Yiyang can appreciate it, but if he comes by himself, he really can't come.

Therefore, we can only find a more suitable one from Guo Degang's cross talk.

The first thing Xu Yiyang thought of was the "My College Life" that Guo Degang and Xu Deliang talked about at Yenching University, but thinking about it carefully, most of his jokes were based on the perspective of a graduate. I wrote it, and I am just a freshman, so many of the passages in it are naturally useless and must be recreated, and the task of recreating is still very large.

Starting from the perspective of saving himself the most time and effort, he immediately passed this paragraph in his mind.

Then, after much deliberation, he finally thought of a suitable paragraph.

Guo Degang's "I want to travel" in my character series.

This cross talk is one of the more classic ones in Guo Degang's "Wo Zi" series.

The most important thing is that this joke has no identity background blessing, anyone can say it.

For example, many of Guo Degang's cross talks have identity backgrounds, such as "A Dream of the Western Expedition", the story outline is a useless middle-aged man who dreams of going to the United States to help Bush fight terrorists. For me, it's no problem, and there's no sense of disobedience, but for an eighteen-year-old young man, it's not appropriate.

For another example, "This Life of Me", the story mainly narrates my past failures and the absurd situation I encounter now, is not suitable for eighteen-year-old young people.

As for "Jiewa", "Buying Noodles Tea", "Trusting Wife and Presenting Son" and the like, they are even more unsuitable for young people.

However, the joke "I want to travel" is very appropriate.

Because, in the jokes, Dou has no obvious identity background, and there is no obvious age group. The main line is the humorous story of Dou who travels around the country. It was also brought in for comedy creation. These familiar place names can well arouse the audience's sense of substitution, which couldn't be more suitable.

Moreover, the laughter in this passage is very good, and there are various classic burdens in it.

For example, say MSN as S-M;

For example, the "bikini" park in Hong Kong;

For example, the Dai people are referred to as the Dei people;

There is also a joke about copying ancient paintings, making old ancient paintings and selling them in the antique market to foreigners who like Chinese culture, but the foreigners bought them back and searched for them, saying why your ancient paintings make you panic when it rains on cloudy days...

And the most famous one here is the folk dance joke.

He joked that when he arrived in Yunnan and Guizhou, someone stopped him and asked him if he would watch folk dances. He said disdainfully, "Folk dances? Yanjing has them."

The other party asked him again, have you ever seen a folk dance without clothes?

At this time, he suddenly had a huge brain circuit and asked the other party: "Don't wear clothes? You don't wear clothes. I know which ethnicity you are from?"

It can be said that in this program, there are three sentences for a joke, five sentences for a burden, and there are constant jokes.

If this kind of cross talk can be performed well, with a good grasp of the rhythm, and without any major mistakes, the effect on the scene will definitely be explosive.

Xu Yiyang is still a tightrope, he dare not say that he can fully utilize the master's skill, but it is not a big problem to exert 60% to 70% of it. Such a good book, with 60% to 70% performance, the effect is already very good.

As for the support, Chen Meng himself is rather humorous. Although he has never acted in cross talk, he has the common advantages of compatriots in Northeast China: a sense of humor and eloquence, so I believe he will get started quickly when the time comes.

Such a high-quality "original" language program, at least in university performances, should not be found second, and it shouldn't be a problem to pass the review.

The class guide said that he wanted to strive for a program that could finally pass the review. The cross talk should be stable. Gu Sijia's modern dance is not only beautiful, but also very brainwashing. It should be no problem for such a program to pass the review.

Since the whole school participated in this performance, on average, a class would not be able to choose one show, so if my class can choose two, my class leader should have completed the task.

As for whether Shen Lele can pass her solo, Xu Yiyang has no idea. He hasn't heard Shen Lele sing before, so he doesn't know how she sings.

However, if you go to KTV and listen to her sing two songs later, you can basically hear the general idea.