Inherit For Three Thousand Years

PS: Thank you Mo Kan for the reward of 999 coins!

Lin Yuxuan admired it again for a moment, and said: "My little girl's demure and demure temperament is very vividly portrayed by you. She has even served as your model. You two have such a good relationship, I didn't even know it."

The old man is really very satisfied with this painting. Cheng Yu's softness and demureness, through Xiao Yao's hand, and under his superb painting skills, are vividly expressed, giving people a great artistic impact.

In this work, Xiao Yao depicts the moment when a girl in white who is studying looks up and thinks.

Xiao Yao deeply and carefully portrayed the girl's facial expression and hand movements, and then easily painted the character's clothes and background with large brushstrokes, which were loose and tight, relaxed and natural.

The purity and concentration of the girl is ready to come out. Xiao Yao's modeling layout is simple but rigorous, and the overall harmony of characters and background colors perfectly expresses the girl's peaceful inner world.

Before Xiao Yao could answer, Cheng Yu said, "I've only met him once or twice before, and I'm not familiar with him. How can I be a model for him? This painting is his own imagination."

"Since I met Ms. Cheng, her elegant and unique temperament has left a deep impression on me, which has inspired my artistic inspiration, so I created this work." I'm not familiar with it, so I dare not take the liberty to invite her to be a model, I can only describe the Miss Cheng in my impression, and the capture of her temperament is not very comprehensive, this is the biggest regret in my heart."

"I think it is precisely because of this regret that you can capture the most unique point of her temperament in this work, and you can have such a strong artistic appeal." Lin Yuxuan doesn't think so, "No matter what Whether it is a pity or a fulfillment, the classic and success of this work is beyond doubt."

Even Lin Yuxuan, the Taishan Beidou in the painting circle, praised it so highly. Cheng Yu, who has just started solo, admires Xiao Yao from the bottom of her heart. She said: "I have studied Chinese painting from a young age, and I have learned Chinese painting. I have a certain foundation of Chinese painting. After I learned oil painting, my painting style is somewhat similar to your painting. Of course, it must not be compared with your level. It can only be said to have a little shadow. Among your paintings , both shape and meaning are fully reflected, I want to know how you did it? What do you think I should do?"

For Cheng Yu's question, Xiao Yao naturally would not be perfunctory, and answered very carefully, "I pay more attention to the inner expression and emotional expression of painting. I think: the painter can use the beauty of nature, regardless of any phenomenon or object, to draw his Emotions are conveyed, but when painting, one must have one's own feelings and feelings. First of all, one must have such feelings and feelings in one's heart, and then one can emphatically describe them through painting techniques. What I mean by emphasizing on tracing includes the relationship between the picture and the object to be depicted. Together, and then achieve the integration of the picture and the painter's feeling..."

Next, Xiao Yao took this work as an example, and focused on explaining how to reflect the inner feelings of the painter through painting skills in terms of painting skills.

Xiao Yao's personal style is very strong, and he also has many innovations in painting techniques. Not only Cheng Yu feels that he has gained a lot, but even Lin Yuxuan feels that he has benefited a lot.

This "Girl Reading Book" infiltrates Xiao Yao's strong sense of self-expression, and the artistic impact is very strong. This painting reflects Xiao Yao's superb artistic accomplishment, and even a master like Lin Yuxuan would love it Surprise and admiration.

Xiao Yao understands and absorbs the nourishment of Western art with an extremely confident attitude, and integrates Eastern and Western painting arts into one body, forming a strong personal painting style, and this style is not just a manifestation of the embryonic form, it is already very mature, it can be said to be Started a new genre.

What is even more astonishing is that the new genre represented by Xiao Yao has already stood at the pinnacle as soon as it appeared in front of the public.

In this work of Xiao Yao, there is not only an innovation in painting technique, which pushes the use of light and light and shade to a new artistic height, but also through this new painting technique,

The image and imagery of the work are perfectly combined, and the expression of intention is further sublimated and promoted.

In the history of the painting world, there are many works with extremely high achievements in the expression of imagery, and all such works are classics handed down from generation to generation. In Lin Yuxuan's view, the perfection and innovation of painting techniques in Xiao Yao's works are second to none, and the most commendable thing is the expression of imagery.

The image expression of this work is too strong, and the artistic appeal rushes to his face. Until now, he is still shocked by it in his heart. He can assert that this is definitely a handed down work and will surely occupy a very important position in the painting world.

Xiao Yao brought a total of two works, and Lin Yuxuan was also looking forward to his other work, "Hurry up and turn over your other work, I can't wait to appreciate it."

"Xiao Yao, don't be fooled, turn it over quickly and let us have a look." Cheng Yu also urged.

"Okay, then let Mr. Lin and Ms. Cheng appreciate it." While speaking, Xiao Yao also turned over another painting.

This painting is "Frogs in the Lotus Pond", and it is also a work that Xiao Yao is quite satisfied with personally.

What is shown in the painting is a grand scene of a lotus pond in midsummer. In the painting, the lotus leaves are all over the pond, and the lotus leaves stand like a cover.

The lotus flower in the center stands alone and looks down on the surroundings. It opens its buds leisurely, revealing its full petals and stamens, showing the most bright and beautiful appearance.

The shape of the lotus is free to move between sketching observation and freehand brushwork creation. The skillful use of spatial depiction techniques combines the two angles of looking down on the lotus pond and looking up at the lotus, stretching the length of the lotus leaves and making them taller than they actually are. Tall and straight, rendering the artistic atmosphere.

In terms of detail management, the brush is cleverly reversed, and the top of the pen is used to scrape out bright lines, so that the picture is bold and delicate, which shows that Xiao Yao's mastery of oil painting language has reached its peak.