From the Island Owner to the King

The 3048 volumes of pre-Qin bamboo slips were taken to the Yanjing Forbidden City, the Forbidden City of Tai and Bei, and the first-class museums of the National Museum of China.

The fourth exhibition hall, Chinese porcelain culture.

From the earliest primitive porcelain to the real porcelain in the Eastern Han Dynasty, the southern blue and northern white in the Tang Dynasty, the Tang Sancai, the blue and white porcelain of the five famous Song kilns in the Song Dynasty, and the black porcelain of Jian kiln and Jizhou kiln.

The red underglaze in the Yuan Dynasty, the famous Yuan, blue and white, the bucket color in the Ming Dynasty, the blue and white, the underglaze color, the overglaze color, and the most famous Qing Dynasty, the pastel porcelain, the enamel color porcelain, all the way to the porcelain of the Republic of China, Modern wool porcelain, as well as the famous export porcelain in the history of Chinese porcelain.

In the fourth exhibition hall, the exhibition hall with the theme of Chinese porcelain culture has everything, the collection is very comprehensive, the quantity is very large, the category is very complete, and there are many fine products.

It can be said that the formation and development history of Chinese porcelain are all concentrated in the fourth exhibition hall.

By appreciating each piece of porcelain in the fourth exhibition hall and the text descriptions under the porcelain, and the lively explanations of the museum docents, tourists can clearly understand the Chinese porcelain culture, the formation period of Chinese porcelain, and the development of porcelain in various periods. Happening.

In the fourth exhibition hall, the number of onlookers is the largest, and the most dense place is the exhibition hall where 14 pieces of the five famous kilns of the Song Dynasty, as well as the Yuan and blue and white porcelains, the official kiln porcelain of the three dynasties of the Qing Dynasty, and a set of modern Mao porcelain tea sets are displayed in the exhibition hall.

These porcelains are so famous.

The five famous kilns in the Song Dynasty, Yuan, Blue and White, and Qing Dynasty official kiln porcelain will not be mentioned. At auction houses, the international art trading market has achieved a transaction price of tens of millions, or even hundreds of millions of RMB.

Even if '7051' Mao Porcelain is as white as jade because of its special meaning of "Porcelain for the Chairman". Bright as a mirror, thin as paper, sound as sweet and its profound connotations, it has become a very famous porcelain in the Chinese porcelain collection circle, and a spoon of 7501 porcelain is 100,000 yuan. A small porcelain bowl costs 1.7 million yuan, and a set of wine sets with ten cups costs 2 million yuan!

This is the transaction price 10 years ago.

This set of '7501' Mao porcelain tea set in the fourth exhibition hall, including one waist drum teapot, four waist drum tea cups/plates, one tea tin, two pairs of victory cups, and four horseshoe teacups, cost 'Mr. John' 417 10,000 US dollars, equivalent to nearly 26 million yuan, was purchased from a collector in New York.

After visiting the fourth exhibition hall. Zhu Guoqiang and Tang Lei walked into the fifth exhibition hall with the flow of people.

The fifth exhibition hall takes the Chinese culture as its theme.

Many people have guessed it.

That is Chinese calligraphy and painting culture.

The origin of Chinese characters is very early. The writing of characters is integrated into the concept, thinking and spirit of the creator, and can stimulate the aesthetic emotions of the aesthetic objects, and develop into an aesthetic stage. This is the art of calligraphy.

Our Chinese ancestors gradually sublimated the writing of Chinese characters into an art, which has to be said to be a miracle in the history of the development of various languages ​​in the world.

In the same way, the description of pictures is developed to an aesthetic stage, which is the art of calligraphy and painting.

The culture of calligraphy and painting occupies a large proportion in the composition of Chinese culture.

Like porcelain culture, it is the bright double wall of Chinese culture.

Since the fourth exhibition hall is about Chinese porcelain culture, then the fifth exhibition hall is easy to guess, it must be Chinese calligraphy and painting culture.

Enter the fifth exhibition hall.

The fifth exhibition hall is a promenade. On the walls of the promenade hang a piece of calligraphy, calligraphy and painting.

The number is very large.

Calligraphy and paintings are hung on both sides of the hundreds of meters long corridor.

Famous painting schools and painters with extensive influence in Chinese history, such as the Zhejiang School and the Wumen School of Painting in the Ming Dynasty. Song, Jiang School, Wulin School, Jiaxing School, Qingteng Baiyang, Nanchen Beicui, Jinling School of Qing Dynasty, Xin'an School, Four Kings Wu Yun, Four Monks, Eight Eccentrics of Yangzhou, Shanghai School, and Qing Dynasty Court Painting Works by painters from local schools can be found on the walls on both sides of the promenade.

Some tourists did a rough count, and the number reached an astonishing 2,700.

Among them are Wen Zhengming and Tang Yin of the Ming and Qing Dynasties. Shen Zhou, Zheng Banqiao. Wu Changshuo, and Qi Baishi in modern times. The fine paintings of Zhang Daqian and other famous painters and painting masters.

The paintings were acquired partly through purchases, auctions, and partly through exchange of artifacts with the Louvre, the British Royal Family, and the Victoria and Albert Museum.

Some disappointment for tourists.

It is impossible to appreciate these cultural treasures of Chinese civilization up close. In order to prevent some tourists from touching or deliberately destroying these calligraphic treasures, the museum uses a thin tempered glass to separate visitors from the calligraphy and paintings.

Some calligraphy and calligraphy are replicas.

Although ordinary tourists may not be able to see it, among these tourists, there are many painters and experts in calligraphy and painting who can see it at a glance.

These reproductions are valuable calligraphy and paintings.

You must know that the paper will be very damaged when exposed to the air, light, and noise for a long time.

Therefore, some extremely valuable calligraphy, calligraphy and paintings are kept in the basement with constant temperature, constant humidity, fire prevention and anti-theft, and are automatically controlled by modern technology.

Zhu Guoqiang and Tang Lei left the fifth exhibition hall along the corridor with the flow of people.

Unfinished.

After walking the more than 600-meter long corridor, he felt as if he had received a brain baptism of Chinese classical culture, and felt that his whole person's spirit had been sublimated.

Make people happy.

No wonder the ancients always talked about spiritual food.

Incorporating ancient calligraphers, the concept, thinking, and spirit of the painter is a piece of calligraphy, or a piece of calligraphy and painting is spiritual food.

Eating makes the spirit happy.

The sixth exhibition hall.

Exhibition of Chinese ancient books and texts.

The town hall here is full of 1200 scrolls of Dunhuang paintings and scriptures, and 4 volumes of the Jiajing copy of "Yongle Grand Ceremony".

In addition to the Dunhuang painting scrolls and scriptures and the Jiajing copy of the Yongle Grand Ceremony, there are also a large number of ancient books.

Most of them are books, manuscripts, engraved editions, printed editions, and tablet stickers from the Ming and Qing Dynasties to the Republic of China.

There are also some original ancient books of the Song and Yuan Dynasties, such as the "Historical Records" in the Yuan Dynasty. There are only 9 copies in the world. There are 3 books in China, and 3 of them are all remnants. There are 130 volumes here.

There are also some Chinese isolated and rare books, which can only be seen here.

There are more than 14,000 ancient books collected in the sixth exhibition hall.

Most of these books were bought by the Chinese cultural relics acquisition team from a fallen aristocrat in Britain.

The ancestors of the fallen nobles in England are said to be British officials.

In the middle of the 19th century, in Tian and Tianjin, China, more than 10,000 volumes of Xiang's collection were purchased from a Chinese in Tian and Tianjin at one time.

In the end, most of this collection of books was purchased by Chen Rui at a cost of 12.4 million pounds and stored in the sixth exhibition hall, the exhibition hall of Chinese ancient books and texts. (To be continued)