Fox in the Penalty Area

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Let me talk about it first, this last chapter was actually written when I decided to invalidate the manuscript. If there is no leave, it should be this one at 6 o'clock in the afternoon that day, and the third volume is officially over.

It's just that I re-adjusted my thinking later, voided the beginning of the fourth volume, and added a detailed description of the transfer at the end of the third volume.

But no matter what, I kept this chapter, only made some changes, deleted some conflicting parts with the existing plot, and added brand new paragraphs.

This chapter alone may have been modified and deleted about five or six times-until the automatic update was added last night.

Although many changes have been made, they are all additions and deletions. I am very satisfied with the structure and the theme. All that should be explained is explained here, and all that should be closed have been closed. There is still hope for what should be hoped. .

In the previous chapter on leave of absence, a friend said that after I won the championship, I did not describe the reaction of all parties, like a running account.

Why did I not focus on the reactions of all parties after winning the championship?

Because I want to describe everyone's reaction in the last chapter... If you write it after winning the league, won't you repeat it now?

What's the point? To make a chapter or two for more water?

After winning the championship, this volume is not over yet, but it is not far from the end. It is completely unnecessary to write the same thing twice in such a short space.

According to my original plan, it should be the last chapter after I finished moving.

This volume starts with buying a new house, and it can be regarded as echoing in the end when it comes to moving.

I didn't think that in the end I had a problem with the choice of which team Hu Lai went to. I had to overthrow and rewrite this story, so I added a transfer story after moving.

Fortunately, there are not many additions, just three chapters, otherwise the emotions will be incoherent...

However, because the update is not fast enough, you will experience a little bad if you follow the update. But if you look back and take a breath, it should be much better.

Tell me about the entire third volume.

The third volume is finished. As usual, use WORD to look at the number of words. It is 717,000 words.

The number of words and chapters are about the same as the first two volumes.

I didn't expect it to be such a coincidence.

I did not deliberately control the number of words or length, and the plot ended wherever it was written.

Looking back now, in fact, there are not many things written in this volume of 700,000 words.

The big story is the U23 Asian Cup story at the beginning of the book. In the middle is the story of playing Wang Xianke, followed by the Olympic story. After the Olympics, it will be the championship story.

After finishing the championship game, the rest is actually aftertaste. Including the transfer is just a small plot.

There are only four important story plots, and all of them are interludes.

According to the wording of "non-water", 400,000 characters may be written.

After the Olympics plot, some readers have already begun to want to watch the story after the transfer to Europe, but I still wrote the following league championship plot as planned and filled it up.

Because it is not written like this, how can the people in the world express the expectation of Hu Lai to go to Europe in the book?

In the end, how could he have so many people at the airport to see him off?

After all, Hu Lai helped the team win the Chinese Super League championship in this season. He also gained the top scorer himself and broke the record of coaching. Only with these achievements in front can he highlight his current status in domestic football.

The emotions laid out in the whole volume should not be too rushed to bloom in the final closing.

Anyway, I like the end of this volume very much. It is not only an end to the third volume, but also a summary of the entire first three volumes.

The same was true in the last round of the league. I took the approach of describing two games in parallel, and in many cases even let Hu Lai deliberately disappear from the description, just like the characteristics of his striker-you can do most of the game. Can't see him, don't care about him, forget him, but at the last moment, at the most critical moment, he will definitely appear in the most terrible position.

Some people say procrastination?

I don't think.

Write the two games together, from the kick-off whistle to the final whistle, a total of eight chapters, drag? This is the last game in this volume, and the most important game is a game where the fate of many people is intertwined.

I wrote eleven or two chapters for the Super Cup at the beginning of this volume.

In this final round of the league, there are many major roles that need to be performed. I think I’m concise enough to write about them in only eight chapters.

Why did the national team change coaches after I won the championship? The coaching process was resolved by a news bulletin. I did not write about the confrontation between Wilson and the Football Association. I wrote that although it can count words, it will destroy the final rhythm and cool down the emotion that was brewing from the last lore. . Let the story become fragmented and blur the focus-the transfer story I added later is a bit redundant. If I write the transfer before the last league game, the emotional effect of the end of the volume will be better. More focused.

It's a pity, this is the shortcoming of not having enough manuscripts... If I can still have a 300,000-word manuscript, then I am afraid I will have completed self-adjustment and revision before everyone knows it.

Through this revision, I also want to let everyone know what the status of my writing is, and why I have not kept more manuscripts...

Some people say that you only write two chapters, an average of two hours a chapter. Can't you write it in six hours?

I really can't write it.

Open the document every day and correct the typos that I wrote yesterday. If there is something wrong with the description, the plot should be changed. This time the change is a big change, and the usual minor repairs and supplements have been made.

After changing what I wrote the day before, I will think about today's content, how to cut in, how to begin, what point of writing the chapter at the end, and what emotion to end with... These are things that make me rack my brains.

Cuttlefish said he often had to sit in front of the computer for a long time before he started writing every day.

I am similar to him, but he can write it smoothly once he thinks it through.

I can't. I get stuck from time to time.

I have to think for a long time when the character says a word, how to say it, and in what form it would be better... What will be the result of this kind of action in this place, and what impact will it bring to the future? Don't just bury it here?

There is a ready-made way to express a meaning, but is there a better way to express it?

It's like you play a game. When you choose A, the plot that will be triggered is completely different from the plot that you choose B. But is it better to choose A or B?

As an author, you have to keep doing similar multiple-choice questions.

The problem this time is that I chose A, and wrote it according to the premise of the A option. It was written that something was wrong, so I had to overthrow it, reselect, and choose B. The subsequent plot will have to be re-adjusted according to the B option.

All the content prepared and written before can no longer be used, and the abolition of the four-chapter manuscript for me, who originally only had four chapters, is simply adding to the difficulties for the less-rich family...

Speaking of writing itself, the author has a creative peak, but in fact my creative peak has passed. Now that I want to write high-quality things, I have to give up speed and spend more time in front of the computer bit by bit to compete with myself.

And think about it...I really think I've never been an author who has both speed and quality.

When I wrote "We Are Champions" I only had two chapters a week, or even one chapter.

When I wrote "The Godfather of Champions", I watched it every day, and I couldn't move it-except for the time of the Wenchuan earthquake.

That is to say, the speed of writing "The Hero of the Forbidden Zone" and "The Winner is King" is faster, but the style is different and the way of writing is also different. In addition to the quality of the essay, the fastest written "Winner is King" is certainly not the best of all my works.

I have written a football novel for almost 18 years. I have only revolved in one subject for so many years. I don't know how many authors at the starting point can resemble me. I also have to say that my creative career is indeed going downhill, and I will gradually lose the quality and speed. I lose the sense of empathy for commercial writing and readers. I write a book and write a book. Ben, then completely quit the line and disappeared...

If there was no "Fox in the Forbidden Zone", I might really be like this.

There is nothing embarrassed to admit. As you can see from the last book, the creative passion is fading.

After writing a football novel for so long, no matter how much I love football and writing, there is a day of exhaustion and aesthetic fatigue.

This is why I now rest for a long time every time I finish a book. I used to rest for a month at most. How can I rest for half a year?

People must obey the old and respect objective laws.

Fortunately, I found a new feeling in the book "Fox in the Forbidden Zone". I can't say that my career is the second spring, but at least I still have a lot to say.

The desire to talk is crucial for an author.

I used to write "Do you care if I play football" and "We Are Champions" when I was 21 to 23 years old, and when I wrote "The Godfather of Champions" I wrote from 24 to 26 years old, which is considered to be the accumulation of the first two decades of my life. I'll listen to you.

Now I want to tell you about my accumulated experience from 26 to 40 in my life.

So there was the book "Fox in the Forbidden Zone". I believe you can see a lot of my attitudes and thoughts on life and football. These attitudes may not be the same as when I wrote "We Are the Champion" and "The Godfather of Champions."

Now for me, writing this book well is far more important than breaking out. What I call writing well is writing a book that can stand the test of time and can withstand repeated scrutiny. It's not just how high the subscription is-I'm not saying that subscription is not important. High subscription is good, but if I want to put aside the burst of quality acceleration and pull up the subscription score, then I really can’t do it. Since there is more than enough energy but not enough, then make a trade-off and give priority to quality.

I know that the IPs of online novels are hard to sell, and the IPs of sports football novels are even harder. I can't do the copyright adaptation. As an author, all I can do is write this book.

In the days to come, I will follow this idea to write this book-quality first, quantity behind.

Having said this, although I have said it many times, I still have to say it again: if you feel that chasing is too painful, you can open an automatic subscription to raise it, such as raising it during an important game, and waiting for the update. Look at it.

good for everyone.

Don't say "Obviously the climax is dragged by you without passion".

It’s not that I’m procrastinating, it’s that I can write so much every day, the output is limited, and it is also possible that I write it for nothing — all is invalidated.

In fact, if you go back and watch the plot in one go, you will feel that there is no delay at all, and every word is not wasted. Every character, words, and descriptions of them are meaningful.

Having finished talking about myself, let's talk about the novel itself.

In this volume, Hu Lai ended all his journeys in the country and set off for Europe to start a long journey in his life.

I have been listening to Yin Wu’s song since the chapter about Qin Lin’s retirement. I listened to it repeatedly, listening to only one song. After listening to it for many days, I finished the third volume, and re-written the end of the third volume. Part, until now, is still listening while writing this summary.

In fact, this song is not salivating, and the melody is not catchy. But I just like it.

When I wrote about Qin Lin’s retirement, I decided to use this song completely to the end of the last chapter, because the lyrics of this song are really suitable for what I want to express. The summary at the end and the outlook for the future of Hu Lai It can just play the role of linking up and down, just like a transition in a movie.

With so many people's expectations on his back, Hu Lai travels far, isn't it just to chase his dream?

But traveling because of a dream is not just a beautiful thing, it will also have difficulties and obstacles. This is not an outing with singing songs, but a hard trek that requires courage and luck.

As sung in the song:

"But far away there are scorching heat and winter, windy and rainy nights, and muddy roads."

Similarly, even though there are so many difficulties and obstacles, those of us in and outside the book still expect Hu Lai to be safe, more smooth, less tortuous, more joyful, and less sad.

He is the "hope of the whole village" in the book.

We are also watching the grown-up children outside the book.

From a middle school student who was ridiculed and excluded, step by step, he has grown into a "genius star" who can carry everyone's hopes.

I used 2.3 million words to show how he did all this and how to complete this transformation.

When I put it in my last book, "Liuyinzhengrong", the number of words is almost finished, and now it is only out of the domestic football...

But I don't think the pace is slow, I personally think that I wrote the first three volumes very well.

That's how it should be. A person's growth can't be achieved overnight, and a genius can't just pop out of a rock.

He should have a way out so that he can have a way out.

Two and three million words, I wrote his path, and then I want to write his path.

I don’t know how many words I will write, but I will still try my best to follow the feeling of the first three volumes as complete, thorough, and convincing. It makes people feel that there is such a person or group in that parallel time and space. People, those things are happening.

And I, just a camera with no emotions, faithfully record it all, and show it to the audience in front of the TV.

This is a large-scale reality show, and everyone in it is a real person, not an NPC.

Just like I have repeatedly emphasized that Dong Wen must insist on letting European clubs give an offer that he believes is in line with Hu Lai’s worth, even if this approach is unnecessary in the book for many fans, it is extremely risky and unpleasant. like.

But I still wrote.

Because I think Fatty Dong should be such a person. He has his standpoint and the point of view of the problem, he will stick to some things he thinks should stick to, instead of becoming an NPC blindly serving the protagonist, as long as the protagonist is "good".

And Li Ziqiang. Some readers see now, feel that Hu Lai has made a successful career and proved himself, Li Ziqiang needn't always look down on him.

But let me say that his discomfort with Hu Lai is not in football, but in his daughter Li Qingqing. As a father who was widowed in his early years and pulled his daughter up alone, any man who tries to get close to his daughter will be regarded as an enemy by him. No matter how good this man is, even if he has a wealth of wealth, is wealthy than his country, and his fame has moved the world... As a father, he will blow his hair.

This kind of discomfort has nothing to do with right or wrong, it is a person's feelings.

And feelings are unreasonable.

Don't say "this is wrong" "it shouldn't be".

Nothing is right, should it or not.

Perhaps until the end, Li Ziqiang would not like Hu Lai from the heart and accept Hu Lai. But what does that matter? Isn't it good to let a person maintain his independent personality and thinking?

In short, this is my creative attitude when writing this book.

And I am also very happy to see that the results of this book are always improving, even if the progress is slow, it is indeed getting better.

Now I have booked 9,000 high, and I am moving towards 10,000.

Both have been booked over 6,000, which is twice my original goal.

I think that as a purely overhead story that lacks a sense of substitution at the beginning, there can still be such achievements, enough to make me confident to continue writing.

Thank you for your support and tolerance.

From the beginning of this book, I said it was a willful work, and you can let me continue to write willfully, which makes me feel supremely satisfied.

This book is very tiring to write. I often write two chapters a day after racking my brains in the middle of the night.

I am very happy to see my own results ~www.ltnovel.com~.

I will often turn over and revisit the plots I have written before, read everyone's words in this chapter, and then be silly with a mobile phone.

I think that those things I have conceived and created can be understood by others, which is the greatest happiness of creators.

Obviously, you and I have such a tacit understanding.

thank you all!

Grateful!

Please continue to look forward to and appreciate the scenery during Hu Lai's journey.

※※※

PS, according to my own statistics, Hu Lai’s career so far has scored a total of 121 goals in official competitions, two and a half seasons of career, including the league, the FA Cup, the national team, In various official games of the National Olympic team, one hundred and twenty-one goals are scored. Is this efficiency okay?

There is an easter egg chapter at the back to show you how I did statistics in the process of writing the book.