Disaster Artist

Chapter 389: Audiovisual experience

UPDATE: Something happened, it's 100% sure, but it seems like nothing happened.

Returning to the resort, Tao Li strode back to the room, and the two children followed in their mother's footsteps. As a result, Marvin was inexplicably left behind to sort out equipment and props alone, so that he was alone, and he panicked. After catching up, Tao Li let the children enter the room first, and she tried to talk to Marvin.

However, Tao Li hesitated.

Marvin looked at Tao Li pitifully, with puppy-like wet eyes, as if he knew he had done something wrong.

The words that Tao Li had poured into her mouth were swallowed after all, and a thousand words turned into one sentence.

"I'm fine."

This simple sentence made Marvin heave a sigh of relief, a smile appeared on his naive cheeks, and at the same time, the bustling thoughts in the auditorium burst open——

Obviously, everyone has their own personalities and ideas, and they also have their own ways and styles to face problems. Tao Li finally chose to keep things calm, and she would definitely not be able to win everyone's approval. It exploded, but the feeling of being in a movie theater and watching the big screen is special:

Tao Li, can't see her face.

The camera is hidden behind Tao Li's head. At this time, only a third of the back of her head can be seen. She cuts in from the rear and keeps looking up at Ma Wen.

More specifically, there seems to be an invisible frame behind the corridor, from lighting to color to composition, fixing the position of the two people.

As a result, only Ma Wen's facial expressions can be seen on the screen, those nervous and anxious, those pleading and pitiful, those relieved and happy, all without reservation, obviously he should be in a position of begging for mercy, but he is slightly condescending. In contrast, he still firmly controls the initiative in his hands.

Faintly, Tao Li's response seemed to be understandable.

But things don't mean "nothing" just by saying "nothing". Duplicity is one type, one is counterproductive, and another is the tug-of-war between reason and emotion. It is precisely because of the intricacies of human beings that many things are It becomes more and more complicated in the interweaving and collision.

There also appears to be an invisible barrier between the children and the couple.

Although it is difficult for children to accurately describe their emotions and feelings for a while, they are more direct. They refuse to have a direct dialogue with their father, immerse themselves in tablet games to escape reality; and when the mother is on the father's side, they also Started refusing to communicate with mother.

The conflict that was about to erupt was finally suppressed, and then Marvin and Tao Li went back to the bathroom, trying to calm their minds.

Until this time, Gong Yushan finally realized where the feeling of "hands and feet" came from——

frame.

The screen shots of the film are all frame after frame, from invisible to explicit frames, everywhere.

What Gong Yushan noticed was the mirror in the bathroom. The mirrors on the whole wall were laid out like a picture scroll. Then, Ma Wen and Tao Li walked back and forth in the bathroom, changing their skiing clothes, but their movements and footsteps were different. Bound by the mirror in the lens, there is no way to break free.

Then, if you look closely, you can find that the movement of light, color, and the lens is building a frame all the time, making Ma Wen and Tao Li "trapped" in it. Naturally, the ubiquitous repression and restraint can Let the audience slowly feel the dull suffocation.

Look, this is the language of the lens.

Gong Yushan immediately confirmed her conjecture.

For dinner, Marvin and Tao Li had an appointment with a friend, but the friend showed up with a female companion-the two had just met at the resort today, so they became a couple on a date.

The lens once again presents a rectangular frame, framing the four people in pairs; moreover, this time the perspective has undergone a subtle change, in a parallel way to ensure that the dialogue between the two parties can be on the same horizontal line conduct--

It's like squatting down and keeping your eyes parallel when an adult is talking to a child, showing respect with this gesture.

Wait, so when Tao Li was talking to Marvin, how was the camera set up?

Gong Yushan couldn't help but start to recall the previous picture, but she didn't have time to think deeply, because the story in front of her ushered in the first moment of eruption.

The camera, hidden between the shoulders of the couple, slightly below the eye level, is looking at Marvin and Tao Li, who are facing each other. Because of the lighting in the restaurant, you can clearly see the expressions of the two people. A detail, but the eyes are hidden in the shadow cast by the eyelashes, a little less clear.

During the dinner, chatting and chatting, the "couple" who just met had some differences.

The girl thinks the boy is a devout believer, but the boy thinks the girl is misunderstood. He just emphasizes that he is not an "atheist".

It was supposed to be a scene of mutual communication, but it turned into a dispute between two people with their own opinions, and then the boy did not give the girl the opportunity to continue to express their opinions, forcibly changed the topic, turned his attention to Ma Wen and Tao Li, and asked them about today. experience.

In order to help his friends clear the siege, Ma Wen took the initiative to talk about the "avalanche oolong" this afternoon.

In Ma Wen's opinion, "...everything is under control, we are all keeping our senses", as if nothing has happened, which makes Tao Li feel very absurd. Although Tao Li has been trying to control herself, she smiles absurdly. Still couldn't help but come out, and then the words came out like this.

"He was terrified and ran away."

"No, no, no, I don't, no, I don't."

Marvin kept smiling, Tao Li kept smiling, and the two couples opposite also kept smiling, as if they were telling the funniest joke in the world, but the atmosphere in the restaurant was obviously not funny at all. As for Ma Wen and Tao Li, ignoring their friends opposite, they quarreled in low voices:

You have.

I do not.

You run away.

I do not.

The two were like children, the atmosphere was awkward for a while, and then the laughter disappeared.

Marvin is still trying to win respect~www.novelmt.com~ avoiding Tao Li's gaze, and re-conversed with the two friends, "We are today... er... but the most important thing is..." Trying to ignore Tao Li, as if The friend just ignored the lady beside him.

Tao Li looked at Marvin stubbornly, "Marvin, you abandoned me and the child and ran away by yourself."

"Tao Li, I don't have one. Where can I run in snow boots?" Marvin's expression was already stiff, but he still didn't dare to look directly at Tao Li.

As a result, the focus of the debate shifted to the topic of "whether you can run in snow boots". Marvin asked his friends to support his point of view, and then the colorful glass behind the screen could see the projection of a double cake slowly passing by. , lit with dense candles.

"Happy birthday to you, happy birthday to you..."

In front of the glass, Ma Wen and Tao Li were still trying to talk. Neither of them made eye contact, they just looked at the friend and the lady in front of them, but the singing behind them was so loud that it drowned out their voices, and then they only You can see mouth opening and closing, but hear nothing.

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