Disaster Artist

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Jiang Haowen was secretly observing Lu Qian's expression. There was always a slight smile on that clear face, but there was no special expression change. It seemed warm but alienated. It was really difficult for others to touch the truth.

Jiang Haowen couldn't help wondering whether it was because of this that Lan Chuan's rumors about Lu Qian were so strange. The Lu Qian described by everyone seemed to be different, but no one was able to decipher Lu Qian's code.

But is it really that difficult?

Jiang Haowen looked at Lu Qian, and carefully described the appearance of the first meeting in his mind. The two faces were somewhat different, but gradually overlapped:

Some things changed, but some things didn't.

"...Director, I have a question."

"Essentially speaking, you still support the theater chain. The existence of Echo is not to divide up the interests of the theater chain. Instead, you have been trying to reiterate the importance of the theater chain, and continue to work hard, hoping that the audience can rediscover the charm of movies."

"Of course, there is a conflict of interest between the Echo and the theaters, and it's a frontal conflict, but there's absolutely no need for things to get to this point, is there?"

After all, Jiang Haowen still couldn't hold back, and deviated slightly from the conversation track.

Jiang Haowen believes in Lu Qian. He believes that Lu Qian has not become a profit-driven businessman. He also believes that Lu Qian is still an artist who devotes himself to making movies. However, the handling of this incident seems to be eager for quick success.

Even if Jiang Haowen understands the dilemma of the "leaving woman", Blue Whale Pictures ignores the existence of theaters and directly announces that the movie will be released simultaneously in theaters and streaming media. It is imminent to challenge the theaters.

why?

Lu Qian chuckled, "Manager Jiang, thank you for still believing in me."

Jiang Haowen could hear the ridicule in Lu Qian's words, he laughed twice, but became a little shy.

Lu Qian continued, "You mean, we shouldn't let 'The Woman Who Left' be screened simultaneously in theaters and echoes, but should be done step by step?"

Jiang Haowen nodded in agreement.

Lu Qian's peripheral vision drifted to Ning Ye, "Because the effect is not strong enough."

"How long has the current interest distribution structure lasted? Thirty years? Forty years? Human beings are creatures that yearn for change while resisting change. Once someone wants to change this interest structure, they will encounter all-round resistance. Pioneer Those who do need to face unlimited attacks.”

"The way of gentle wind and light rain can't sting them at all."

Jiang Haowen's eyes widened, "So, this was on purpose..."

Jiang Haowen couldn't finish his words, and covered his mouth in disbelief.

Lu Qian nodded, "Yes, we did it on purpose. What we want is the current effect, killing everyone by surprise and in a hurry."

Ning Ye, Tong Kong shrank slightly, and understood in an instant that all this is a game, including Damen Films and the theater alliance, all are pawns.

Blue Whale Films is trying to seize the opportunity to disrupt order with a time difference.

Imagine what would happen if you patiently waited for the streaming media to grow and grow, and then waited for other film companies to realize the potential of streaming media and join the Blue Whale Films camp?

Indeed, the film company can join forces to form a force that is evenly matched, sit down with the theater alliance, and negotiate face-to-face on an equal footing.

At that time, it will not be difficult for movies to be released simultaneously in theaters and streaming media, and even the theater alliance will have to bow its head.

But the price is that other film companies will divide the interests of Blue Whale Films; the streaming media market will also enter the era of contention among a hundred schools of thought.

Does the story sound familiar?

In fact, it is the situation Damen Films is facing now. The shackles and constraints they face as new capital are not only the gap in capital numbers, but also the suppression of contacts in every corner of old capital.

Unless the new capital side has absolute power to break through the shackles, they will be caught in a dangerous situation surrounded by wolves, and they may not be able to have the last laugh.

From another perspective, what if Blue Whale Films suddenly launched an attack now?

From an objective point of view, Blue Whale Pictures does not have enough power to compete against the theater alliance, but similarly, the obstacles blocking Blue Whale Pictures are not so solid.

First of all, the entire film industry has not realized the potential of streaming media, and even still disdains and despises it. In their view, this is a dead end.

Whether it's the development of Zhai Zhai or the rise of Echo, they all see it, but they still have no interest. This also means that Blue Whale Pictures still has room for development.

The opportunity cannot be missed, and the opportunity will never come again. Blue Whale Films must seize the opportunity to complete the layout. Only in this way can it seize the opportunity when those predators start their actions—

Layout and funding are one aspect, while the full development of the strategic framework is another aspect.

Just like the relationship between streaming media and theaters, this is a problem that needs to be faced sooner or later, and it is also a thorny problem of overlapping interests.

Perhaps, waiting for the scale to increase, the two sides may evolve into a life-and-death struggle; but at this stage, can they find a way for both sides to coexist?

Secondly, the cinema alliance was also unaware of the threat and impact of streaming media. They had no idea that Blue Whale Films would choose this time to launch an attack.

It is precisely because of this that there is no consensus within the theater alliance.

Some people think that streaming media is still not worth mentioning, and it is impossible to steal audiences from theaters.

Some people think that Echo can only show some artistic works at most, not to mention other film companies, even Blue Whale Films itself cannot put commercial films on Echo, so it is the art theaters that are affected, not them. Large cinema chain.

Some people think that the streaming media viewing experience is too bad, and viewers will naturally choose theaters.

Etc., etc.

Perhaps, they are aware of the threat of streaming media, but are temporarily unable to determine how far the threat will develop.

There are differences of opinion between theater chains and among different factions within theater chains. Blue Whale Films chose "the woman who left" to open up the situation, and it just grasped this mentality, which led to the inability of the theater alliance to unify~www .novelmt.com~Differences represent gaps, and at the same time represent opportunities to take advantage of.

A time difference may require us to face a lot of uncertain chaos, both from the opponent and from ourselves, but this kind of chaos can open up the situation, just like Blue Whale Films established a distribution channel by "unfriending", otherwise, wait for everything to be clear and clear At that time, Blue Whale Films had no room to move.

Ning Ye has a bold idea:

Perhaps, Blue Whale Films has been laying out the layout since the establishment of distribution channels. After all, the blueprint of streaming media was completed under the noses of everyone, isn't it?

So, just how grand is Lu Qian's ambition?

Just thinking about it, Ning Ye became excited uncontrollably.

Fortunately, Damen Films chose to stand as an ally of Blue Whale Films, so he doesn't need to worry that he may be abandoned, sacrificed and forgotten during the next era of change. He has already seized the opportunity, a door full of opportunities The door is right in front of you.