Disaster Artist

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Shen Yanshu looked at Wu Yuqing in front of him, and the composer he had heard from Yu Shao before. He was neither humble nor arrogant, angular, talented, and even a little arrogant. It was a far cry from the truth. It was hard to imagine that this young man was killed by Lu Qianqin. Click to be the soundtrack artist for a brand new project.

Just broke the glasses.

In fact, today is not the first work meeting between Wu Yuqing and Lu Qian—

To be precise, this is the fourth time.

In the time of "Love", Wu Yuqing saw all the cooperation between Lu Qian and Mai Jiaan. He clearly knew that this was a professional and dedicated director.

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The most important thing is that Lu Qian has a steady stream of inspiration and creativity in his mind. He has a clear conception of his works and has very strict requirements.

Wu Yuqing thought that he was ready. He had talent, ability and experience. The only thing he lacked was an opportunity.

No, it's not "thinking", but a belief that Wu Yuqing sincerely believes that he can take on heavy responsibilities, waiting for Bole to discover his talent.

However, when the opportunity really appeared, Wu Yuqing realized that he was still too young and too naive—

What is a professional?

What is inspiration?

What is talent?

Why are they both young people, Lu Qian has become a well-known director in the industry, and has been recognized at the Weihai Film Festival and the Golden Book Award; while Wu Yuqing is still an apprentice of Mai Jiaan, until the sudden death of his master, Mai Jiaan Jia An is always worried about Wu Yuqing's future?

Obviously, "luck" is not the answer, there is a certainty behind the accident.

Wu Yuqing can only understand why Mai Jiaan is full of praise for Lu Qian, why Mai Jiaan also likes the soundtrack of "Love", why Mai Jiaan was moved by Lu Qian to take over the work of "Love" by exception, why Mai Jiaan likes to communicate with Lu Qian?

Everything has a reason.

At the first meeting, Wu Yuqing was full of confidence and smugness. He believed that he was ready to fight.

In order to make a song and dance movie, they need to create a lot of songs, which fit different scenes, different themes, different plots, different characters and different emotions.

The most important thing is that different styles of melody will create completely different colors of works. For example, using hip-hop and using jazz music and dance movies, the lens, clothing, tone, style and texture will be completely different, using pop and rock. The soundtrack is certainly a far cry from that, too.

This also means that the role of the composer has skyrocketed.

It is precisely because of this that Wu Yuqing's work is even more rare, which is equivalent to giving him a platform to allow him to fully display his talents.

After reading the script carefully and having an in-depth face-to-face discussion with Lu Qian for the first meeting, Wu Yuqing started work with great ambition.

Including the style of original tracks and original soundtracks, the former is to fit the movie, the latter is to set the tone and draw a blueprint—

For the specific soundtrack work, we still have to wait for the film to be completed before starting the creation. However, because of the particularity of the song and dance movie itself, Wu Yuqing must find the basic color, and outline the outline of the melody according to Lu Qian's ideas. Only then can the follow-up be completed. creation.

Wu Yuqing is not only full of confidence, but also full of energy.

Especially after half a year of wasting and polishing, Wu Yuqing's ambition has reached an unprecedented peak, and he is eagerly waiting for this opportunity.

"As long as I seize this opportunity, the whole Lanchuan will see my talent, and then it will be a whole new world."

Wu Yuqing firmly believed, eager to try.

but…

In the second meeting, Wu Yuqing collided head-on and sparked everywhere, but the result was stunned, speechless, and his confidence loosened.

In the third meeting, Wu Yuqing tried his best to carry it out in an all-round way, but he encountered a comprehensive blow. The more in-depth discussions, the more deeply aware of his own limitations.

Lu Qian's creative thinking is very clear-

Retro jazz.

In addition, mixed with some pop, blues and soul, the tone of the whole film is elegant and calm, as warm and silky as blue velvet.

At the same time, Lu Qian also hopes that the original songs and soundtracks can show a "smooth feeling", so that the shots and the melody can be combined to create sparks.

Some melodies have a wide range of sounds, so that they can collide with a sense of grandeur; some melodies are light and cheerful, and finally present the atmosphere of a carnival party; Up and down together.

That is to say, the melody itself has a "texture", and you can see the color, temperature, rhythm, and so on.

Lu Qian's conception of the film is like moonlight, cold but smooth, the white moonlight flows like a clear spring, sometimes gentle and delicate, sometimes turbulent, and changes with the ups and downs of emotions/emotions, but the most important thing is to be able to Let the lens to the hidden rhythm.

"Touch the pulse of the notes with the lens".

This is Lu Qian's original words.

Wu Yuqing's head is full of question marks, why is it called "touching" the pulse of the note with the camera, so abstract, can you use computer special effects to practice it?

In the second and third meetings, Wu Yuqing slammed into the wall very hard, with a bruised nose and a swollen face.

According to the conception, the movie should need about twenty songs and soundtracks, so Wu Yuqing was inspired by ~www.readwn.com~ before and after, and composed a total of 87 songs—

"It should be enough no matter what?" Wu Yuqing thought.

However, the reality is cruel:

Among them, more than two-thirds were shot directly, and the remaining one-third was only "death reprieve", which needs to be revised and then discussed again.

From the lyrics to the melody to the style, there are obviously some deviations in every link, and no one can achieve Lu Qian's perfect idea.

Not one!

Not a single one!

If it is said that Lu Qian doesn't understand anything, and the layman is there to point fingers and make nonsense, that's all, "Isn't that the case with Party A?"

The problem is that Lu Qian is professional, rational and sober enough.

In every meeting, Lu Qian can always put forward correct opinions and conduct a deeper and more comprehensive analysis, from the plot to the music, and from the music to the plot; from the melody to the camera, and from the camera to the melody. Analysis, fully showing the professionalism as a director.

In front of Lu Qian, Wu Yuqing's reasoned struggle and professional stance are only a matter of retreating, and his self-confidence has been crushed and destroyed again and again.

So, when facing Lu Qian again, Wu Yuqing's mentality has already changed—

Can not help but began to doubt life.

Now that Wu Yuqing has really experienced it, he can finally understand why the communication between Mai Jiaan and Lu Qian is always sparkling and wonderful.

That is the collision of inspiration, that is the professional communication, that is the display of talent, that is the real artistic creation.

At first, as a bystander, Wu Yuqing watched all the excitement and thought he understood it, but in fact, he never touched the essence of the problem.

Until now, Wu Yuqing finally understood that things are really not that simple.

82 Chinese Network

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