Disaster Artist

In Lu Qian's view, the script of "Love is You" can be cut in from two aspects, making improvements, enriching the details, and then giving the whole story a more complex and deeper interpretation possibility.

The first layer is the character setting.

The two couples in the story each have their own distinct edges and corners.

Two wives, one is a woman who is willing to give and even sacrifice everything for love, and the other is a woman who is good at seizing opportunities and exploiting weaknesses.

Two husbands, one is a man who is self-centered and arrogant and refuses to change, and the other is a man who is eloquent and unscrupulous to achieve his goals.

In fact, it can be understood as follows:

The former, on behalf of emotion, impulsive, blind, self, out of control, and even the ultimate destruction.

The latter represents reason, restraint, calculation, sobriety, cunning, and strategizing with interests first.

It is precisely because of this that when the four characters represent different types of encounters, things may burst into endless possibilities.

When "emotion and emotion" collide, when "emotion and reason" collide, the chemical reaction is completely different. So, what is the correct answer?

For Lu Qian, "there is no correct answer" is the correct answer, because everyone is different, even if it is the same "rational and emotional" pull, different sparks will collide in different people and eventually lead to different results, the same Patterns cannot be copied and pasted widely.

In life, there is no right answer; the same is true for love and marriage.

From "tourist" to "lover", everything is like this, and now coming to this work, Lu Qian also hopes to further integrate this idea into the film.

So, this also comes to the second layer of settings—

The first layer is the plot setting.

The conflict between ideal and reality.

In an ideal state, marriage should be a union after a collision of love, built on the basis of love, mutual understanding, tolerance and mutual support.

When they first fell in love, the person who fell in love deeply, regardless of their strengths or weaknesses, was the shining point in their own eyes. After naturally entering the marriage, they also need to continue to accept everything from the other party, stand behind the other party unconditionally, and become The most solid backing for each other.

However, in real life, marriage is a relationship that needs to be managed, maintained, and compromised.

Dopamine is only valid for two years. When the enthusiasm subsides, the trivialities of daily life and firewood, rice, oil, and salt begin to play the leading role, and the love filter begins to disappear. Everyone hopes that things can go according to their own ideas. When encountering conflicts, they can't help but blame each other. .

In fact, from a logical point of view, the "person" in front of him, whether it is a wife or a husband, is still the person he fell in love with at the beginning, but when he is in deep marriage prison, people always like to say, "You have changed. ", but no one can tell clearly whether the real change is the other person or himself.

The reason is very simple. Love is a passion that bursts out in an instant, and marriage is the support of a long stream. Two completely different people need to slowly run in in life, and naturally there will be moments when they don't adapt to each other:

Ideally, they should tolerate each other unconditionally, even if they have shortcomings, but in reality, they want each other to get rid of those shortcomings to cooperate with them. Contradiction and conflict are born.

Placed in this film, the position of wife and husband is just that.

The wife insists on idealistic love and marriage, while the husband is soberly aware of the reality of marriage, but the problem is that the ideal is often defeated by the reality, and the reality expects the ideal—

The wife's insistence is too innocent and beautiful but cannot be realized, and the husband's insistence is too rational and correct but cruel and sad, so they are all trapped by themselves.

a powerlessness.

At the end of the film, both the wife and husband have made a choice, and they both choose the "idealized partner" in the other couple, like mirror images.

That is to say, the combination of "reason and emotion" was broken and failed, so they changed their orbits, broke the arrangement and combination, and "reason and reason" and "emotion and emotion" met each other.

In terms of combination, this should be perfect. As the saying goes, "What teapot goes with what cover?" now—

The appearance is exactly the same, but the soul is replaced by a version that is 100% compatible with himself.

Perfect!

But is it really so?

At the end of the movie, Lu Qian hopes to throw such a question, even if "reason and reason" and "emotion and emotion" meet, is this the perfect solution?

The story, to the next level here—

This is the case with everyone, often trapped in their own expectations, whether emotional, rational, ideal or realistic, everyone has their own interpretation and interpretation of life, and then expect that life can live according to their own. Envisioned way, but life is not like that.

Because "everyone" has their own expectations, which is also doomed, there must be a deviation between expectations and expectations, how to learn to accept those differences, how to learn to face those conflicts, and how to learn to face those beyond the scope of their own understanding. Choice, this is the real wisdom of life.

Marriage is like that.

Otherwise, whether it is the meeting of "reason and emotion", or the matching of "reason and reason" or "emotion and emotion", it is not the right answer for marriage in the end.

Or it should be said that marriage, like life, has never been the right answer.

When recording inspiration and writing the script, Lu Qian once calmed down, reorganized his three works, and looked back and examined at a higher level:

In the ending of "Tourist", the couple had already reunited, but they were once again on the verge of collapse in a sudden crisis.

In the ending of "Love", the couple was ready to separate, but they were re-bundled because of common interests and continued to maintain the marriage.

Finally, come to this script that is currently being created.

At the end of the story, the couple had already fallen into a dead end, with no solution or future in sight, but they both made the same choice:

They choose a partner of their "ideal" and continue the marriage.

After a simple listing, it is clear at a glance.

In the three stories, in fact, the marriage has been broken, but invariably, for different reasons, different methods and different purposes, they continue to maintain the marriage.

This also made Lu Qian ponder a question, "Marriage Trilogy ~www.readwn.com~ Is it for marriage or against marriage?

Why do you say this way?

The reason is very simple. After the release of "Tourists" and "Lovers", audiences jokingly called the two works "movies to persuade separation" and "movies to persuade marriage".

It seems that after Lu Qian revealed the truth of marriage, he persuaded him to quit, and this spiritual core also continued to the third part, so is this really the case?

In fact, Lu Qian did not think so.

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