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I was struggling before writing, thinking,

Ah, it would be a waste if I didn’t give a speech. I always feel so tired when writing it. After all, writing a summary is not much better.

That’s fine with Kavin, but Kavin’s speech is too sad.

But in the end I still wrote it like this. I feel like I have persevered all along and it wouldn’t be good if I didn’t write.

So let’s talk about this volume, not counting the tenth volume of the extra volume.

From the end of July last year to now, I have finally finished writing "Cala, Kapa, ​​Go"

It took more than half a year to reach 182 chapters, which is really a slow update...

Maybe it was the residual influence of the European volume. After I went all out to write that volume and challenged myself to go online, I felt a sense of exhaustion after the passion.

There is nothing conscious in my mind,

What was I thinking about before writing this volume? I can no longer remember it. I flipped through the outline of my notes.

Just draw a timeline, tell where the plot is, and what is still missing in the overall picture?

Organized the growth progress of Xia Ran,

Then I decided to write this volume, which can be regarded as a daily plot advancement that fills in the foreshadowing and foreshadowing.

I wrote about Fangran’s life after returning to daily life, and how the changes after growing up are different from before.

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The structure of this volume, roughly the paragraph structure is,

Night Palace

night game

Linfu Street,

Xia Yao-Template Day,

Tang Bing-Photo

Osphia-Letter

Fang Xiaoran-

Fire Brand-Cooking

Shui Lian Xin - Date on rest day

Night Crow-Push to

little queen/queen

Early midnight/Later midnight

end of semester exams

——

There are thirteen paragraphs in total, each paragraph has its own meaning,

While writing the main idea clearly, try to insert vivid and interesting descriptions, and introduce interesting daily developments without going off topic.

After all, no one likes a plot that doesn't let them relax after a big battle, right?

Then starting from Linfu District, I also used intermissions as the end, some for transition, some for summary, in short, most of them are like partitions.

Please help, you can steal book stamps like food. Come and steal your friends' book stamps to vote for my books.

Let the paragraph structure of this volume be clearer

I really tried my best to finish this volume.

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As for the theme of this volume,

The title of the volume and the preface have been clearly written.

Probably because of Fangran’s European adventure and the growth of understanding his desire, the feeling gradually settled and fermented in his daily life.

If every intermission was good-looking,

It should be clear by now, from cheering from the sky, recalling the diary, rescuing people from the fire, secretly assisting the anti-drug police, incomplete awakening of the fire card, stopping the car on a date, and qualification scenes,

In the end, chasing the night breeze can no longer be a clear line.

In order to clarify these,

Let the main line between the intermissions develop smoothly, and let the daytime routine of the section to which each intermission belongs smoothly develop out of the intermissions.

For example, Linfu cheered high in the sky when he was very happy, took on the task after receiving a letter from Osphia, was bored and learned to cook and mastered the heat, and suddenly awakened the fire card. Such a connected plot,

In order to balance daily life and intermission, design the connection between the two while taking into account the interest and not going off topic.

I really racked my brains

After all, you can't write about things that have nothing to do with the intermission. The sense of separation would be too strong.

In this volume, what I want to eliminate is the sense of separation between Fangran’s daily life and night battles.

So with him, he can occasionally be serious and handsome even during the day.

Before this volume, he might be Night Crow or the Demon King, but after this volume,

He is just a participant-Fangran

Just like what the preface said, he became the person he wanted to be in the night wind

-----

I think about what else I can say about this volume. Let me talk about the regrets and shortcomings.

The daily part,

To be honest, I always feel that this volume of daily life is missing something like the ‘essence’.

Maybe every period of daily life is quite interesting, right?

But I feel that one of the most interesting, memorable and hilarious daily plots is missing.

For example, the Kyoto roll’s shaved ice and hot springs, and the European roll’s London Wandering,

However, I am also trapped by the main plot. At this stage of writing the book,

Many times, I can no longer let my temper run wild. I must clearly serve the context and plot development of the entire book. But I cannot write as happily as before.

But anyway, I don’t have that kind of inspiration, just a little vague regret.

And without affecting the development of the main plot structure, there are some interesting daily stories that I had ideas but failed to write.

That's a real regret

To give some examples, the wrong ways to use the Jinjinou PS4 fighting game and xx Clow cards, such as substitute cards, sound cards, etc.,

Of course, there is also the plot of the bathroom accident, the daily routine of the gourd, and the members of the cabin playing board games together as if they were pretending to be Santa Claus and giving gifts.

There are also interesting daily routines in the middle of the night (but I really can’t think of this one)

I really can't find a place to put them.

As for the very line,

What's a pity is that in this volume, I couldn't write a particularly big and climactic event.

At the end of the task list, I originally wanted to arrange a relatively large task for Fangran, such as assisting the armed police force in secret operations, or solving a huge crisis on campus.

All in all, it’s a bigger plot

But I was still limited by the plot. In the end, I could only write a simple plot about stopping a car after a date.

It makes me regretfully think about whether it would be better to write a plot like this or something...

Okay, maybe it’s not limited by the plot, it’s just that I’m too stuck, and my inspiration and enthusiasm are insufficient. I need to get rid of this limitation and restructure a better plot context.

As for other regrets, Midnight

Before I wrote Midnight, those book friends who still remember may have seen how panicked I was and how panicked I was, without even a single clue in my mind.

Although the length is not short, I still feel that I did not write the characteristics of Midnight

In that independent space, the vastness and mysterious beauty of the entire fairy mountain range are not well expressed. Maybe it is because there are too few locations.

To be honest, I always felt like there was something missing in the part about Fang Ran’s practice.

What's missing? I can't think of it. Forget it. I don't want to think about it. I've finished writing it. It seems it's too late to think about it.

The final regret in the Midnight episode is that the Immortal is the same as not being able to express the Midnight Immortal Mountain properly.

I feel like I didn’t show the level of an immortal

Alas, but that's right, let's not mention the level of writing and so on. He only appears once in total. In two chapters, no matter how hard I think about the words, it seems that it will be difficult to work.

But during that time, I was confused and couldn’t think of the description of the artistic conception of transcendence as true.

As for the queen, she has no regrets. She tried her best and feels quite satisfied.

And the most regrettable thing is,

In the daily part, there is no interaction with the night bureau members, which makes me regretful.

Although it's Fangran's return to daily life, I don't want to make it feel like everyone in the night game is offline, but still, still

It’s a cliché, limited by the plot, limited by my lack of inspiration, enthusiasm and ideas,

I failed to add them to the daily development of those several paragraphs,

But actually I thought about it, like the young master who mentioned it in the special chapter gave Fangran tickets, or Mu Cheng went to the hut to eat and get special discounts,

It can also be Alchemist or Uncle Qing Ning. In short, it is just some interesting interactions.

But why I couldn’t write it is because it’s too difficult. The cabin and the night game are two circles. The interaction is equivalent to opening a new area (getting the spirit).

It's too difficult, and my level of inspiration for writing this volume is not enough to complete it.

Of course, there is definitely no problem with a simple interspersion. I recalled it before writing it out, but the daily schedule of that paragraph was full, and there was no way to insert a plot equivalent to a new beginning.

In the final analysis, it is still limited by the plot structure.

Night War has already reached its tenth volume. The plot is over and about two-thirds of it is there (maybe I haven’t thought about how long the third part will be).

Hey, it’s already stretched to over two thousand words.

Come on, if only it could be this simple when coding.

You don’t have to think about sentence structure, length, expression, wording, environment, and psychology. It’s really easy to write in colloquial terms.

Come to think of it, there seems to be nothing else to say.

All in all, this volume is a volume in which various clues are advanced, foreshadowing is interspersed, and growth is accumulated.

It is the most neatly structured volume among all the volumes I have written.

This is a volume in which Fangran regains his desire from the end of his adventure and prepares to start again.

I don’t know if you are satisfied or not

The next volume is the story of North America. Well, if you ask me what the current situation is,

That is,

I'm so panicked ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh. Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh!

Damn it, my mind is completely blank!

I simply can’t think of a cool, interesting, and engaging climax plot!

Ha, it’s true, the inspiration and enthusiasm have faded, and it’s not what it used to be.

The root cause is the common problem in my life. As for what the specific problem is,

To put it simply,

I stay in the house all day and only write novels in my life. I don’t want to waste my youth around my parents anymore, but I don’t know where to go when I leave home.

No friends, no partners, no social interaction, no entertainment

Asking for leave now only allows me to take a breather, it doesn't make me happy at all.

I am no longer a child who can feel happy just by playing games.

The older I get, the more I realize that sometimes it’s hard to be happy...

Damn, how do I write the North American paper? I'm so panicked right now.