Bijo to Kenja to Majin no Ken

A mass of colorless, transparent magic power rips through space and runs through it.

The magic shell that reached Jilbel echoed a heavy collision sound called Dosun all around.

The ambient air is trembling to represent its power.

Now the impact is never small.

But the attack - it didn't reach the old man's body.

The “invisible wall”, which has been expanded to enclose the body of Jilbel in half, protects the old man and fogs a mass of magic.

I found that the magic scattered around me had lost its place of destination and the surrounding air was not brittle.

The transparent wall deployed by Jilbel doesn't seem to have one crack in it, even after a heavy impact.

Even after accepting the Magic Ball, the walls reflected the surrounding light like polished glass, indicating its presence.

By checking Jill Vail's status, I already have information about his attributes.

The old man in front of me - my first confrontation, the unattributed wizard (Sorcerer).

It must be defensive magic equivalent to my unattributed magic, Demon Wall (Magic Wall), that has now shielded Jill Bale's body.

And - as I am, unattributed wizards (saucers) are not tied to usable “attributes”.

There are six attributes in this struggle. It is not surprising which magic has flown.

If you look at it, Jill Bale hasn't moved at all from the spot, and he hasn't changed his expression with an invincible smile.

When I targeted the old man in the front again, I put up the wand of the wise (Staff of Sage).

Immediately afterwards, the enchanted magic becomes a light blade (light edge) and a demon bullet (magic ball), and is shot out to Jill Bale.

However, Jill Bale has not even shown a bare gesture to avoid while remaining raised by the effect of flying (levitation).

The two magics of different bouncing speeds struck the old man in turn, with the light blade (light edge) first and the demon bullet (magic ball) later (later).

The moment the light blade (light edge) crashes into the transparent wall that protects Jilbel, the colorless transparent wall collapses with a petty sound called Cashan.

And the Demon Bullet (Magic Ball) reached later, but now it's time to clash against Jilbell's body -.

It should have been.

"Disabled -?"

The wall of transparency that protects Jilbel was destroyed.

But inside that wall, another junction appeared that encircled Jill Vail's body, completely blocking my demon bullet (Magic Ball).

You know that in this world (Florence), homogeneous attacks are nullified.

But now the magic is unleashed through the wand (Staff of Sage) of the Wise, which can hurt fellow apostles.

In other words, my magic was blocked by a different factor.

"Kay, that crystal ball -!"

Ahead of what Sylvia pointed out is a demon (aya) shiatsu crystal sphere gripped in Gilbert's left hand.

The crystal sphere clearly had a glow that seemed like a magical light.

Beat the flame bullet (flame ball) toward Zilveer so that Sylvia can see how it works.

But - the results are the same.

Again, there is an invisible sphere-shaped field around Jill Vail's body.

The flame bullet (flame ball) released by Sylvia was easily scratched off by being shielded (chirped) by that field.

"Disable magic - looks like a magic tool (magic item)"

Listening to my own words, I recall the "magic bracelet” that the Great Haunted King (Gino) had.

The Great Haunted King (Gino), who confronted him within The Labyrinth leading to the Dragon's Hunting Ground, had a "bracelet” that nullified all magic. Maybe the equivalent is that crystal sphere.

When Gilbert made sure Sylvia and I didn't set him up, he released a light blade (light edge) like he had cut off a little paralysis.

I shrouded (whispered) with the Demon Wall (Magic Wall), but the Demon Wall (Magic Wall) is shattered and scattered with a single blow.

Light blades (light edges) are inherently magic without physical impact.

But Zilbel's magic power must be quite high because pure magic alone breaks the Demon Wall (Magic Wall) in one blow.

"Silvi, a magic attack is meaningless.

First, I need you to consolidate your protection. "

Copy that.

When I told Sylvia that, the red-haired beauty responded with one eye meditating on me.

Inside the labyrinth is a bond developed by Jilbel using the Prohibition Book.

If Jilbel's words are true, this junction is meant to seal space magic.

As well as transferring across (and out of) the junction, you should probably consider that a combat transfer (battle gate) to move around the junction is also sealed.

But I have another way of transferring with the Sage wand (Staff of Sage).

It is a light transfer (gate), the attribute magic of light.

When I cast the magic of acceleration (haste) on myself and Sylvia, I rushed out to Jilbel on a doubled speed. Running What I hold in my hand is a Wand of the Wise (Staff of Sage), not a Ruler's Devil's Sword (Rollinzer) for a physical attack.

- It's not the size of damage.

I need to know if a physical attack is an effective means.

When I jumped on Jilbel with the momentum of the ramp (charge), he didn't move at all from the spot and didn't even try to show off his defense.

Are you saying this is “useless” too -!?

There are too many words in my brain that anticipate the severity of the struggle after this.

I tried to slap the sage wand (Staff of Sage) with both hands on Jill Bale.

But before reaching the old man's body, the attack is blocked (whispered) by a "different junction” from the junction of the crystal sphere.

"Protective junction (protection field) -!"

A wand of sage (staff of sage) clashed into the protective junction (protection field) that wrapped the gill veil, sparkling light.

A cane received in the air cannot be pushed in any further with force.

But - the protective junction (protection field) is a common magic to prevent physical attacks.

The deliberate use of this magic in combination probably means that in the junction deployed by the crystal sphere, physical attacks cannot be prevented.

In other words, the crystal sphere can only be prevented by magic.

The closer you reach, the closer I get, the more Jill Bale strikes back at the boulder.

When the "Prohibition Book" he had was put up against me, a great deal of magic was created around it.

At this close range, the deployment of the Demon Wall (Magic Wall) is unlikely in time.

I concentrate my consciousness and try to escape the scene with the magic of the light transfer (gate)...

"Chi -!"

The light transfer (gate) was not activated.

It's not just space magic. Even with light attribute magic, all magic that travels to and from space has been disabled.

I had no choice but to avoid firing rock bullets (rock balls) immediately afterwards.

But I can't dodge it in time, and the rock bullet (rock ball) hits my left shoulder relentlessly.

Typically, the pain and shock I get is mostly mitigated by the referee's coat (Judgment Robe).

That said, this time the magic power eaten is huge.

I felt severe pain, mainly on my damaged left shoulder.

"Kay!"

While Sylvia raises her voice, she restrains (spells) Jill Veil with flame bullets (flame balls).

While riding the acceleration of my behavior (Haste), I retreated and hung myself up on a great recovery (Elder Heel).

"- Physical attacks are no good either.

In addition, both spatial magic and light transfer (gates) are disabled within the junction. "

Hearing my whining, Sylvia's expression tightens.

Jilbel looked at me retreating and told me to mock (bruise).

"Huh.

Did you think that if you had that wand, you could hurt Noon? "

I did not respond to those words and again tried to determine the state (status) of the old man in front of me.

- The protective junction (protection field) deployed by Jilbale seems to have nearly forty minutes of effect time.

The protective junction (protection field) has the nature of extending the effect time depending on the skill of the operator and the magic that can be included.

I can deploy a protective perimeter (protection field) for up to five minutes. From that point of view, Jilbel's sophistication with this magic is not much of a paradigm.

And the magic tool (magic item) he has in his left hand seems to be something called an isolated crystal sphere.

If you “stare” further at only that "crystal sphere of isolation" - details about this magic tool (magic item) come to mind.

There was an explanatory statement that said, "For eight minutes, we can put a line to isolate any magic except the one that we unleashed ourselves".

- Interpreting from the explanatory statement, it turns out that the magic released from Jilbel reaches us, and that the magic we unleash is blocked by the junction, which is a very convenient junction.

That junction - for eight minutes.

When I engraved the time of eight minutes into my mind, the scene was evoked as if it had happened yesterday.

When the demon Kurt was trapped and tied up (bound).

“Eight Minutes" then -.

Clive kept us safe until the end.

I remind him of his serious and gentle expression and once again embrace his own determination in his heart.

I have to fight through the last eight minutes.

Clive as much as you want - just a little.

Give me - give me the strength to fight through -!!

"What are you going to do, Kay!?

Sylvia speaks out in a hurry in a situation where no effective means of attack can be found.

"We can save time and horns on the ravens.

If you buy time, you'll find the thread. "

As I answered Sylvia with a harsh expression, I watched Grace and the others continue to fight Aida.

Upon checking the Grace and the others' situation, apparently Aida, unlike before, is pushing Grace to perseverance (perseverance).

However, the attack that Aida is committing is rough.

Grace keeps dodging the axe she wields without so much bitterness.

Perhaps if he fought back with a gap, Grace would be able to inflict damage on Aida.

But she didn't force herself and seemed to focus on dodging.

From behind that Aida, Celestia is attacking.

As Aida continues to chase Grace, there is really a wider distance between Celestia and Aida than between swords.

To fill that distance, she was attacking using a light bullet (starshell) emitted from the sword of the Virgin (Jacqueline).

Aida's back, which devours one light bullet after another (Starshell), has a black scorch everywhere that symbolizes damage. But unfortunately, I didn't think that would lead to fatal damage.

Still, Celestia is directly slashed with the Sword of St. Maiden (Jacqueline) by weighing the timing at which Ida's leg stops even (occasionally). But also, the damage you're doing is only about the cut. Neither attack still looked like a valid hit.

You noticed my attention moved towards Aida, the wind blade (windcutter) flies out of Jill Veil.

Sylvia, who entered, tried to prevent it with a rock wall (rockwall), but I pushed it to stop (mostly) and activated the light junction (alter).

The light junction (alter) envelops Silvia, who was on my side, completely absorbing the wind blade (windcutter) released by Jilbel.

It's only in the form of buying time, but it's an outfit that you've chosen to do to make sure you don't attack and buy time.

Seeing that I had adopted safety measures, Jilbert made a slight mockery.

On the back side of the old man with an invincible smile, Grace is visible.

The figure of Grace looked like she was about to be slashed, toward Jilbell, who showed her back.

"Grace, I can't -!!"

Sylvia unwittingly raises her voice when she realizes Grace's aim.

Jilbel does not accept physical attacks because he has developed a protective junction (protection field).

And there was Aida behind Grace, trying to chase her.

If we keep going like this, Grace will be pinched by Jill Bale and Aida, who look back.

Noticing Grace's movements, Jilbell released a flame bullet (flame ball) without breaking his grin and turning around.

The attack has completely identified her position as slashed from her back side.

- But apparently, this situation was exactly what Grace was after.

Grace dodged a flame bullet (flame ball) at a critical distance as she rotated to slide forward. Exactly, one hair at a time.

And the detached flamebullet (flameball) hits straight at Aida, who was chasing Grace directly behind her.

"Gaaaaaa!!

Having eaten the magic of Jilbel, who was supposed to be on his side, Aida rolled onto the spot with a scream as she was left on fire for a moment.

We invited each other to fight well, and we gave him a good fight.

Eating the magic of the powerful Jilbel, Aida has taken considerable damage to the boulders (just fine).

But that's not the end of their offense.

Now Celestia, who was approaching from the rear of Aida, broke in to slip between Aida and Jilbell, who were still unable to get up.

"Haaaaaa!!

Celestia raises her temper cage (also) and pokes out the sword of the Virgin (Jacqueline) thoughtfully on the ground beneath her feet. With a glimpse of magic there, Celestia activated her Light Burst (Liot) skills.

At the next moment, the beam of light emitted by the sword of the Virgin (Jacqueline), which stood on the ground, caught the perimeter and blew up.

Unfortunately, that shock has not reached Zilbel, who consolidates himself in the 'crystal sphere of isolation' and the protective junction (protection field).

But Ada, who had fallen and was unable to rise, took the form of eating that skill properly.

"Guaaahhh!"

Aida was about to get up. She was slapped again on the body and hit harder and fell on her back.

A coordinated attack between Grace and Celestia was decided, which brilliantly did a lot of damage to Aida.

The look on Sylvia's face when she saw the two of them active makes her puff brighter.

Watching how it went, Jilbert smiled at the boulder and made a bitter expression.

"Yeah, I won't let you do whatever you want."

Jilbell unleashed the magic of the wind blade (windcutter) toward Celestia when he made sure that fallen Aida was hard to get up and come.

It was close range, but Celestia reacts well to prevent its magic with a shield.

However, the aftermath of the splashed wind blade (windcutter) created countless cuts to Celestia's body.

"Chip."

"Ceres, no! Keep your distance!!

In anticipation of further pursuits from Jill Bale, I throw a word of warning at Celestia, who pounds her tongue.

As I reacted to my voice, Sylvia unleashed a rock bullet (rock ball) to restrain Zilbel.

Can you make it -!?

Even with anxiety, I get on speed (speed) enhanced by acceleration of action (haste), and I rush (charge) to Jill Veil.

But the distance between me and the old man just couldn't be filled in the blink of an eye.

Jill Baer swings up the forbidden book in his right hand toward Celestia, without taking my presence or anything.

In response, the Prohibition Book began to concentrate unprecedented magic power.

"What -!?"

Seeing that unusual concentration of magic makes Celestia stand up unexpectedly.

"Ceres, back off!

As Grace raised her voice to shelter Celestia, who had stopped moving, she slashed into Jilbell.

Intuitively, I didn't think so.

Shortly afterwards, Jill Baer swings down the forbidden book, which was intended for Celestia, toward Grace.

"Grace!!

My voice was empty, too, and she took the blow of an invisible giant stick and blew it up near the wall of the labyrinth (dungeon). It was an intense blow, no longer related to dodging or defense.

Blown Grace can't even raise her voice of pain, she hits the wall as she spins, and finally stops.

She immediately laid her hands on it and managed to get up.

On the spot, however, I dizzied and threw up blood from the edge of my mouth.

"Grace -!"

Maybe I was just lucky that I still had a life...

At least Grace's condition seemed impossible to keep joining the fight like this.

And - I see that as a great opportunity (opportunity).

When the demon Aida rose to Xu (Omoro), she tried to strike Grace in a state where standing was at last.

"Let me!

Celestia interrupts when she sees it and manages to stop (almost) pushing Aida with a shield.

I leaned to Grace's side with a thrusting (charged) momentum and attempted a full recovery with the blessing of the Tiger Child's Sage (Breath of Sage).

Grace's condition was restored within sight, but even the flutter did not immediately heal.

I shot Aida with a demon bullet (magic ball) while keeping Grace's body within the boundaries of light (alter).

Aida, who was in comparison to Celestia and her powers, cannot avoid it beautifully.

Half of the four demon bullets (magic balls) released intermittently came off, but the other half shocked Aida's body.

Aida tries to break up the confrontation with Celestia and retreat so she doesn't like the magic she receives from me.

Then Celestia unleashed a shield brow so as not to let Ayda get away with it.

Aida manages to take the axe by turning it into both hands, but Celestia goes on to unleash the slaughter with the sword of the Virgin (Jacqueline).

Geez! Aida took the sword of the Virgin (Jacqueline) with an axe as she emitted a loud contact sound around her.

And as the momentum continues, the two begin to squeeze each other through each other's weapons.

Seeing that Aida's movement stopped, I felt that this was my biggest opportunity.

When I put up Sage's wand (Staff of Sage), I focused my consciousness on Aida.

――

Eida looked around with Kyorokyoro to see if she realized the magic she'd never felt before.

As soon as possible, a golden chain pops out of the space surrounding Aida and wraps around her body.

"- Ugh."

I could see an exclamation leaking from Jill Bale.

I ignore that voice while capturing Aida by the Holy Cage (Sacrid Prison).

In an attempt to pull a thousand chains around her, Aida stopped compelling each other and started rumbling into the mess.

But - it's too late.

Exactly in the form of a goose patch, Aida's body was stopped on the spot by a myriad of golden chains that appeared.

"- With that wand, will you be able to use that much magic?

But that's just not convenient. "

Jilbel released a wind blade (windcutter) towards Celestia, who was on Aida's side, as she traveled floating in flight (Levitation).

Celestia avoids impending magic and takes a distance away from Aida.

Gilbert, as he approached Aida's side, began concentrating his magic powers by putting up a 'Prohibition Book'.

Then a thin light leaks from the "Prohibition Book" as it responds to the old man's request, and the chain of gold tied to Aida is deactivated.

Gilbert looked at me with a smile he was good at when he unlocked the Holy Cage (Sacrid Prison).

I take that gaze silently.

- The power "Prohibition Book" has is immeasurable.

As it is, this struggle is pretty tough.

Jilbel's margin is created by the combination of "Crystal Ball of Isolation" and "Prohibition Book".

Without the "Crystal Ball of Quarantine," Jilbel creates anxiety about his magical defense.

And without the Prohibition Book - he can't hurt me.

In other words, "Crystal Ball of Quarantine" or "Prohibition Book" - if we can manage one side of this, there should be a breakthrough in this struggle.

"Now - what do we do?

Do you still have the means to fight the Lord?

If you stop resisting and your Lord will be a great food, you will not save the lives of the women there. "

Suddenly I understand what Jill Bale suggested, and I laugh with my nose unexpectedly.

"Hung, let the joke go.

If you think about your purpose, you can't keep Grace alive, not just me. "

Jill Baer heard my answer and smiled at Niyaniya and her poor taste.

"I see.

Then I'll have to break that self-esteem (pride).

Let the Lord weep and beg forgiveness to beg for the life of a woman. "

When I heard Jill Bale say what he was good at, I felt quite anxious there.

- What is it? Something is going to happen that is not good.

In a gaze that I would not accept physiologically, I unwittingly took half a step, lagging behind.

"Grace, stay back."

"-Okay."

Grace is within the effective range of the light junction (alter) but is close to Zilbel.

I instructed her to back off in an attempt to disengage her from the movement.

When Gilbert sees it, the next moment, he releases a flame bullet (flame ball) toward Sylvia, who is in a completely different direction.

"Over here!?

Sylvia may not have thought she could be targeted as a priority.

She picked up the flame bullet (flame ball) released at the rock wall (rockwall) as she raised her panicked voice.

Shortly afterwards, Gilbert pursues Sylvia in an ice rain (Ice Rain).

Ice rain (Ice Rain), which can attack a wide area, requires concentration of consciousness, making it difficult to travel during activation. It is difficult to use during battle because it leads to decisive gaps.

But Jill Bale just showed us a gap and won't accept our attack at all.

He turned the ice rain (Ice Rain) on Sylvia without any concern.

"Hey, wait - no!

Sylvia manages to get out of the magical range of effects, rolling out rock walls (rockwalls) one after another.

But the magic of the powerful Jilbel easily broke down the rock wall (Rockwall).

I rushed in and took refuge in the light junction (alter). There was too much distance. I had no choice but to support Sylvia's defense with the Demon Wall (Magic Wall).

But - still, I can't hold out until Sylvia leaves.

Sylvia, who did not leave, was heavily damaged by the ice debris (crushed) that broke through the rock wall (rockwall).

"Ahhhhh!"

"Sylvia!"

Sylvia falls flawlessly on the spot in the wake of an unprotected ice rain (Ice Rain) on her body.

When I managed to reach Sylvia's side, I tried to heal her with great recovery (elder heels).

You must have recognized it as a gap. Jill Bale is activating healing magic. He's coming at me with a wind blade (windcutter).

To my illness, the effect time of the light junction (alter) expired. I have no choice but to stop activating the Great Heal (Elder Heel) and hastily deploy the Demon Wall (Magic Wall).

I managed to prevent a direct hit, but the finely splashed blade of wind made several cuts to Sylvia's body lying with me.

"Kay, it's dangerous!!

I raise my gaze to Grace's voice, but I blink at the damage I've just suffered.

When I saw it, Jill Baer waved the Prohibition Book and let the magic come over here.

There are three things like a "circle of light"...

I don't know what magic it is. It was the first magic I saw.

I try to prevent the Ring of Light with the Devil's Wall (Magic Wall), but one of them bypasses the Devil's Wall (Magic Wall) and hits me straight in the right foot.

As soon as possible, the circle of light became deformed and tangled to link my right foot to the ground.

――――

There is no damage. However, he was detained on the spot and sealed off his movements.

Sylvia is falling, turning her back against Gilbert, trying to turn against me. I closed my eyes and looked unconscious.

With Celestia playing a one-on-one confrontation with Aida, Grace is the only one who can move now.

And that Grace can't take full action either.

Jilbelle smiled satisfied when she saw that I had been detained.

The expression on is not physiologically pleasant.

And to make that impression a sure one, Jill Bale began to go into actions I didn't even want to imagine.

"- Keep looking there but good"

The old man's grin appears to subtly contain favorable colors.

And he's headed in the direction of Grace.

"You, no way -!"

Grace looked at the look on the old man's face as he turned to himself, clearly clouding his expression.

It's about her. You must have perceived the “danger” looming upon you.

Grace began to move off the spot to avoid being pushed, while alerting Jill Vail to his movements.

"The target prey is the quality (and quality) that will not escape."

Jilbell says so, releasing a light blade (light edge) and a wind blade (wind cutter) toward Grace.

They weren't released to hit Grace.

It was released to “push” Grace.

Grace was cut off from the path by the magic unleashed on Yagi (Baya) too soon, and was gradually hunted down by the wall of the Labyrinth (Dungeon).

Jilbel strained his lips with Niyaniya, packing the distance between Jiriziri and Grace.

"Grace!!

- Jill Bale, hey, don't!!

I manage to stop Jill Bale from moving, screaming as far as my voice is concerned.

Jill looked back at me in a hurry and looked at me like I was looking down at something pathetic.

The enemy in front of you is an old man who is over seventy years old.

Given that alone, this kind of danger was never high.

But the strong desire that Jill Bale showed may also have passed through something called lust.

Jilbel shook the 'Prohibition Book' at Grace, releasing the same circle of light at Grace as he had unleashed at me.

The circle of light draws a curve and hits Grace, securing her left and right arms and her left thigh (thigh) to the wall with gassilli.

"She's a beautiful girl in the corner.

It's really a shame to just kill them.

I'll give you a full taste in front of the Lord. "

Hearing a leaking humble laugh, I fell into the illusion of darkening in front of me.

Indeed, I have encountered these dangers before in the examinations leading to the Wang capital (Ansel).

But what's at stake right now in front of me is the woman who put her skin together with mine and put her mind through it.

"Kay -"

In the wake of her gaze, I am driven by the thought of being able to tighten my chest while about to eat through my lips.

Against his will, Jill Baer leaned over to Grace.

My mind is gradually dominated by a boiling sensation.

- And then I felt Clive's face floating in my head, dominated by darkness.

This situation cannot be broken simply by causing hatred to be solicited and shaking in anger.

He (Clive) never gave up.

To the end, you protected us.

Think. There must be a way.

I...

I can't give up!!

I immediately check my status.

The only thing I can't move right now is my right leg eating a circle of light. I haven't been able to move my left leg either.

If you look at the state (status), the indication is "Status: Restraint".

Beyond coming on my state (status), this restraint should always get me out of here with the blessing of the wise (Breath of Sage).

But I can't change the situation just because I'm out of custody.

I “stare” at Jill Bale and his magic tools (magic items) again - I realize there are.

And to make sure of that, I made sure of Sylvia's condition (status).

- And that's when Sylvia moves pickly at my feet.

Her eyes were open.

He had already regained consciousness, but he didn't move while falling and seemed to be watching the war in a way that confronted me.

I glanced at Sylvia for a moment and gazed hard at the bracelet on her left arm shortly after.

Will it pass on...?

I expect her to have “gear skills”.

No, you won't have to doubt it anymore.

I let them through.

I believe in my people -!

Like drawing its intentions, Sylvia gently attached her right hand, which usually holds the wand, to her left arm bracelet - the magic shield of a star (Vesper).

Seeing, Grace leans (hides) her neck and turns away from her face in an attempt to avoid the approaching Jill Bale face.

As Jilbell approached Grace's side, he held the "Prohibition Book" to his left and hung his dead tree-like right hand on Grace's chest.

If that hand were pulled down - Grace's skin would be dewy in front of the old man.

Grace did not infiltrate her mouth, and meditated strongly on her eyes with her face turned away.

"- haha -"

I laugh as I drop my gaze to the ground.

Upon hearing that voice, Jill Baer stopped moving on the boulder and looked back at me.

"- Ahahahahahahahaha!!

I gradually raise my voice and laugh loudly as I put an old man in my sight with a surprising look on his face.

My laughter must have bothered me with the boulder.

Jill Baer let go of Grace and took the Prohibition Book back to me.

"- What's ridiculous?

Now you're about to take the woman away from me, even if you're in the mood. "

I give Jill Bale an even more derisive response.

"No - I'm not.

I'm laughing at your idiocy. "

In this situation, I guess you didn't think you'd be allowed to say those words.

Jill Baer gave me an obviously offensive look.

"What?

"You seem to be putting up boundaries with that crystal sphere, but how much time does that have left to work?

- There are restrictions on any magic. Even if we are invincible while there is a bond, there will be a gap in the timing when we really rebuild the bond. "

――――

"You - how much time do you have before you show me the gap?

Can you afford to be wearing a woman?

As time runs out, you'll have a better chance of showing me the gaps.

But - I don't die that easily.

Wouldn't you?

You did that to me. "

Jill Baer makes a dissatisfied expression in my words.

He naturally doesn't draw the kind of future he loses in this struggle.

In fact, if the pieces of "Treasure Bank" and "Me" that Jill Bale wanted were each confronted by him alone - they would have been flirted with without the skill of doing so.

But now there are these two pieces combined.

I guess that's also a good opportunity (chance) to get two at the same time from Jill Bale who wants both.

On the other hand, however, there is a growing Clancy apostle who can hurt his own people, who is pregnant with the danger to him.

If Jill Bale had any concerns about the danger, he wouldn't be able to ignore what I said.

I needed to get in there.

"Lord, are you going to provoke Non?"

Jill Baer returns the words, as he speculates on my intentions.

I laughed as hard as I could, even though I didn't seep sweat from my forehead.

There's no room in my heart.

But my head commands me to show some room.

- Yes, I have to “provoke” Jill Bale.

"You look like you're enjoying this situation and don't you have the strength to just take me down for a second?

You should have noticed when you were trying to take my power in the first place...

Actually, you're not that strong, are you?

If you had the strength to overwhelm others in the first place, you wouldn't need the idea of taking my power away. "

Jilbel closed his eyes quietly and did not respond immediately.

But I can imagine that just because there's no immediate reaction, the anger that swirled in him is something big.

"Lord, shall we go ahead and buy the wrath of Non?

- Then I will dispose of it as I wish.

It wouldn't be bad if the Lord died and shook a woman in despair. "

Jill Baer posted a "Prohibition Book" to me, spitting out a spicy (akuratsu) dialogue (line).

It doesn't change that he has an 'Isolated Crystal Ball' in his left hand.

Shortly afterwards, a great deal of magic was concentrated in the Prohibition Book, and the swirling magic was released as a shell.

As I push through the ambient air, a transparent shell pushes straight at me.

That looked like the enhanced version of the Demon Bullet (Magic Ball) I use.

If you eat properly, you won't be safe.

But when I saw the imminent lump of magic, I accidentally leaked a smile.

- I never thought it would be this easy.

It was so easy, I didn't expect you to “catch on”!

At the next moment, Sylvia, who was falling in front of me, gets up squeaky and breaks in front of me.

The body remained full of creativity. Torn robes and tunics are sparingly exposing her seductive (sexy) limbs.

But her eyes filled with confidence and she seemed to recognize her role clearly.

Sylvia doesn't have a cane in her hand.

What she put up with both hands was the left hand bracelet - the magic shield unfolded by the star's magic shield (Vesper).

Expanded with no more magic, the magic shield grows large enough to cover and conceal Sylvia's half, shining with crimson light.

Sylvia remained adept in her expression, taking the impending magic shell with her star magic shield (Vesper) as Gassili.

The moment the shell and shield come into contact, the flash rushes through the air so that the high voltage power can be bounced.

"I'll pay you back!!

And - as she put it, the shell that collided with the shield turned the direction of travel 180 degrees, as if it had hit the mirror as well.

"- What!?

Magic bullets draw the exact opposite trajectory - hitting a straight line to Jilbell.

His anxious expression indicated that this was unexpected.

Gilbert would naturally have assumed some sort of attack from me or Sylvia.

However, he has a 'crystal sphere of isolation' and a protective junction (protection field).

No matter what kind of attack Sylvia or I made, we wouldn't have hurt him while we were in line.

That's why Jill Bale didn't have to take any more steps to protect herself.

And in my conversation with Jilbel, I suggested that “after” the bond was broken would be Jilbel's gap.

On the contrary, while there was a connection, Jilbel was imprinted that he was safe.

As a result, he should have turned his mind to dealing with the "after (after)" the effect of the junction expired, and not while the junction was in place.

- Yes, he had no idea there was an attack coming through the junction during the effect time of the junction made of the "Crystal Ball of Isolation".

The magic shell unleashed by Jilbel was bounced back by the "Reflective Wall (Reflection)," the equipment skill of the star's Magic Shield (Vesper), and clams past the "junction that isolates all sorts of magic, except the" self-unleashed magic "of the" Isolated Crystal Ball "and hit Jilbell.

At the next moment, a breaking noise of vitreous (glass) sounds from the vicinity of the zilveil that has turned itself.

When I saw it, the "crystal sphere of isolation" fell to the ground, reflecting the fragments and the surrounding light.

Shortly afterwards, the line that kept protecting him disappeared.

As I used my sage blessing (Breath of Sage) to get out of the restraint, I let go of the light blade (Light Edge) and the wind blade (Windcutter) as I rushed in.

Jilbel manages to avoid it while away from Grace.

However, Jilbel, who had previously been protected by the junction, was unable to take sufficient evasive action.

"- Guh!?

Wind blades (windcutters) plunder Jilbell's face, blue and black from his cleaved cheeks, the demon's blood erupts.

Gilbert turned his expression into anger and stared at me and Sylvia.

"All -!!"

When I untie Grace with the Blessing of the Wise (Breath of Sage), I move forward in front of Jill Bale with a niggling laugh.

"Come on, let's go with the second round."

I am determined to fight through...

The wand of the wise man (Staff of Sage) was once again gripped strongly.