American fame and fortune

Chapter 405: An Honest and Good Student

In the restaurant of the hotel, everyone opened a box alone, and fresh seafood meals were served one after another. Martin asked the waiter to pour the wine, sent someone to leave, and raised his glass: "Welcome to come."

Everyone raised their glasses and drank together.

When Martin put down his glass, Elizabeth had peeled a crab leg and placed it on his plate.

"Thank you." Martin smiled.

Nicholson continued the topic just now: "Did Blanchett take the initiative to bow her head and make peace?"

Martin swallowed the crab leg meat and said, "It happened an hour ago."

Nicholson was quite disappointed: "I chased after her, full of enthusiasm, now there is nothing to do, everyone bows their heads, and we can't bully the small with the big."

Leonardo said: "You don't do this kind of thing?"

Like Elizabeth, Bar Refaeli eats quietly and does not speak.

Martin flicked his wine glass: "I found something more interesting, much more interesting than Blanchett. Maybe you can see it when you get to the set tomorrow."

Nicholson asked, "What is it?"

"Secret it!" Martin said the same thing: "If you know it in advance, there will be no surprises."

Leonardo was curious: "Is David Fincher going to make trouble?"

Nicholson shook his head: "David Fincher is not that kind of director. He said himself that he doesn't make movies just to please and entertain the audience."

On the other side, the news that Martin kissed a sweet girl in the hotel lobby flew away as if he had grown wings.

At the same time, there was news that Leonardo and Nicholson came to visit the crew.

Shia LaBeouf, who hid in the room and meditated for a long time, came out for dinner with a smell of cigarettes, got the news from the mouths of other crew members. The person was stimulated, and the brain felt like an electric shock, and the clogged place suddenly The embankment burst, and artistic inspiration flowed like a torrential flood.

Shia LaBeouf was no longer hungry, and he didn't eat dinner. He rushed out of the hotel, called a taxi, went straight to the local commercial district, entered an adult goods store, and started a big purchase.

Artists' performance art also needs props.

…………

Martin and his party came out of the private room, made an appointment to go to Michoud Studio tomorrow, and dispersed separately.

Elizabeth took him by the arm and went upstairs together.

The two entered the room, and as soon as the door closed, they were lingering together.

Elizabeth's passion was as brilliant as the color of her hair.

Martin suddenly got rid of her entanglement: "Wait, Liz, wait."

Elizabeth raised her head, her eyes were misty, and she held Martin's face in her hands: "My old boy, give it to me quickly."

Martin's finger pressed lightly on her lips.

Elizabeth held back her restlessness and let go of her hand.

Martin came to the door, flung the suite door open, and stuck his head out.

Less than five meters away, there was a girl with golden brown hair and braids, her back tightly pressed against the wall, slipping towards this side.

Saoirse's eyes were on Martin, she stood up quickly, and put on a smile: "Teacher, I..."

Martin pointed to her pocket: "Take it out."

Saoirse took out the recording pen, handed it to Martin, and said, "I just bought it when you were eating, and it didn't work once."

Martin checked and returned to her: "What do you want to do?"

"Teacher, I'm just curious." Saoirse was an honest and good student: "Actually, I know that when the door is closed, I can't hear anything, but I can't help the curiosity in my heart."

Martin warned: "There will be no next time, I will call Leonardo over."

Saoirse quickly covered her mouth, her eyes widened, her face full of horror, for fear of being silenced.

Martin said, "Let's go."

Saoirse left dejectedly.

The door opposite Martin's suite was already open, and Bruce was looking at it with a smile.

"It's okay." Martin returned to the room.

In the suite, there was only a pile of clothes left, from sneakers to socks, from jeans to sweaters, like a wilderness path, pointing the way to the right direction for Martin.

There was the sound of water in the bathroom, and a curvaceous figure was reflected on the glass curtain wall.

Martin strode in.

…………

New Orleans had been ravaged by hurricanes, and the wind and rain always came, because the roads everyone used to take were in disrepair, and Martin drove a new road that only he walked.

It was dark and the lights were on, new and sleek.

The rain was too heavy, the road surface was wet and muddy, so Martin slowed down and waited until he got used to the road before speeding up to the studio.

The road is bumpy, with many ups and downs.

However, Martin was exceptionally proficient in action scenes and superb driving skills. There were no accidents on the way, but it took a long time, but he arrived at the destination safely.

When the car came to a stop, he pressed the horn and it blew brightly and crisply.

When the car came to a stop, he pressed the horn and it blew brightly and crisply.

The rain stopped and Martin walked into the makeup trailer just in time to start his day.

At about the same time, Cate Blanchett stepped into another nearby trailer.

Today, the real male and female protagonists are about to start filming.

Martin threw away his crutches, no longer had to hunched his body, and was finally able to stand on the set like a normal person.

The studio was also bustling, with a number of staff members gathered on the open-air platform. They drained water urgently and dried the ground with a large blower so that the crew could start filming on time.

Martin and Blanchett came out of the make-up trailer one after another. They looked at each other, but no one paid attention to the other, and walked into the set like strangers.

Saoirse, who finished filming the girl Daisy, did not leave the crew, and still stayed on the grounds of studying.

She wore braids and a camera hanging around her neck, and she had been observing Blanchett's trailer. When the stylist came out, she checked the pockets of her coat, whistled, and walked over.

"Morning, Tina." Saoirse came early, spoke nicely, and got along well with many people in the crew.

Tina smiled and said, "Didn't you finish filming?"

Saoirse smiled cutely: "I plan to stay in the crew to observe for a while, especially Cate Blanchett, this is my favorite actress, she is super talented, and I can watch her perform live, such a learning opportunity is too great Rare."

Tina looked at her as if she was her own daughter, and praised: "You are a hard-working girl."

"Thank you." Saoirse is an actress. When she wants to be cute, she will be very cute: "I want to get close to Blanchett. You are her makeup artist. Do you know what she doesn't like? Or, What did she complain about?"

Tina shook her head: "During the styling, she didn't say anything except that I asked for my opinion on the styling."

Saoirse scratched her head, looking very troubled: "It turns out that she doesn't like to talk, so she's not easy to get close to."

Tina laughed, but felt that the little girl was even cuter.

Saoirse asked a few more questions, approached the periphery of the set, found an excuse to stay away from Tina, bypassed a crane, and got into the group of extras.

"Aren't all women narrow-minded? Like me, Emma Watson provoked me, and I took the risk to fuck her hard." Saoirse muttered to herself, "Blanchet really made peace with the teacher?"

She thought about being caught by the teacher last night, which might have left a bad impression. Today, she wanted to get some real materials and get back the lost impression points, but she didn't gain anything.

At this moment, David Fincher's voice sounded on the set: "All departments are preparing, shooting will start in five minutes."

Martin and Blanchett are already familiar with their positions, and they are only making final preparations.

When the time is up, the recorder will play cards and start shooting on time.

Blanchett stepped onto the high stage, looked at Martin affectionately, unbuttoned his coat and took off, made various ballet moves, and said lines about wanting to have a relationship with Benjamin.

Before Martin could respond, David Finch stopped and reminded: "Kate, emotion! Your lines are too dry, your eyes are dull..."

Blanchett raised her hand: "My question."

She glanced at Martin's side, tried to forget all the unpleasantness, and whispered to herself: "I pour all my emotions into it, I just want to have sex, no matter which man is opposite, just want to!"

Filming started again, Blanchett performed much better, and David Fincher never stopped.

But compared to Martin, who has been in the group for many days and has fully entered the state, it is still a bit worse.

David Fincher asked to continue filming this one.

Back and forth, tossing many times, finally passed.

Martin's professionalism in filming has always been very high, and he has never complained. Although he doesn't like or even hate Blanchett because of his position, it can be seen that Blanchett has made sufficient preparations for the role. Every ballet movement is completed smoothly.

David Fincher could tell that Blanchett was tired and asked the crew to take a break.

He was more or less relieved of Martin and Blanchett, as long as there was no trouble at work, he wouldn't bother to care about the chaos in private.

It seems that the crew's biggest trouble is not on them.

Ten minutes later, the crew continued to shoot, Blanchett gradually entered the state, the number of NGs decreased rapidly, and the shooting became smoother.

But at the end of the morning, the filming of the scene in which Daisy voluntarily woos Benjamin is still not finished.

Martin was a little puzzled, and asked Bruce, "The two bastards didn't come?"

Bruce shook his phone: "The traffic was stuck on that old road, and now it's here."

After lunch, a news quickly spread among the crew that the big star Leonardo and Oscar king Nicholson came to the crew to visit the crew together!

These two bastards appear together, and they are quite lethal.

Many people in the crew ran out of the rest area, especially a large number of extras and staff recruited locally in New Orleans, all wanted to take the opportunity to take a group photo and ask for autographs.

Under normal circumstances, big stars who visit non-working crews are always amiable.

Martin and Bruce also came out, and just as the crowd had gathered around the studio, the two of them simply climbed onto the roof of the trailer.

Not long after, Saoirse Ronan climbed up with her bag on her back.

Martin took out the best-equipped iPhone and started shooting at any time, but the target was not Leonardo and Nicholson surrounded by people, but the distance to the west.

He reminds Saoirse: "Turn on your video camera."

Saoirse turned on as fast as she could.

Just to the west, artist Shia LaBeouf came alone.

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